Pat Metheny's Phrasing is Deeper Than You Think

Pat Metheny's Phrasing is Deeper Than You Think

Pat Metheny的演奏艺术

音乐的叙事性

  • Pat Metheny的演奏超越了音阶和和声,强调音乐的叙事性和情感表达。
  • 记忆深刻的爵士独奏往往不是因为复杂的音阶,而是其短语、感觉及思想的发展。

结构与发展

  • 本曲采用AABA形式,首先建立一个主题,然后强化它,引入对比,再返回到主题。
  • Metheny在开头四小节中展示了一个动机,通过变化来保持兴趣,同时不失去其身份。

节奏控制

  • Metheny每次都以不同的方式处理节奏,这种微妙的节奏控制使简单的想法得以不断发展。
  • 在更细致层面上,他通过时间感(time feel)进一步丰富了音乐表现。

动机的发展

  • 在第二个A段中,Metheny使用下降的破碎三度模式推动故事发展,但真正吸引人的因素是他切换到双倍速度感。
  • 他通过非重拍十六分音符打破这种感觉,使短语更加有趣,并且他的重音安排直接源于巴西音乐的节奏语言。

重复与人性化

  • 在B段中,Metheny几乎完全依赖重复构建短语,通过恢复他的短语元素使旋律生动起来。
  • 他在三小节内拉伸时间感,使旋律不仅有旋律弧线,还有时间弧线。

高潮与结尾

  • 最终章节构建高潮后逐渐回归平静,以长升音阶线条为基础,但真正推动力来自于其节奏结构。
  • Metheny维持并变化交叉节奏,在三个完整的小节内持续这一模式,同时避免在小节线上截断。

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Video description

What makes Pat Metheny’s phrasing so recognisable? In this jazz guitar lesson, I break down his solo on Jobim’s “Meditation” from the 2005 Montreal Jazz Festival, following how his ideas develop across the AABA form. We’ll explore his behind-the-beat time-feel, motivic development, double-time rhythms, off-beat accents, articulation and cross-rhythms, and how you can apply these concepts to your own improvisation. 🎸 Watch the full solo transcription: https://youtu.be/le8E3eZrA-I Performance: Pat Metheny and Mick Goodrick Gesù Theatre, Montreal Jazz Festival — 8 July 2005 Composition: “Meditation” by Antônio Carlos Jobim 00:00 His Story 00:22 First A section 00:31 Form, is a global structure 01:23 Rhythmic Variations 02:05 Time-Feel 03:01 Double-Time, offbeats and articulation 04:13 B Section, Repetition & phrasing 05:33 Last A, The Climax 05:56 Cross-rhythms 06:21 Playing Horizontally 06:30 Inspiration from the master 07:12 Check out the FULL transcription