Discurso sobre las ciencias y las artes - Rousseau

Discurso sobre las ciencias y las artes - Rousseau

Who Was Rousseau?

Introduction to Rousseau and His Critique

  • Amilcar Paris Mandoki introduces the topic of Jean Jacques Rousseau, focusing on his first discourse regarding the sciences and arts.
  • The discussion begins with a question about the Enlightenment, highlighting its significance in liberating humanity from ignorance.

Understanding the Enlightenment

  • The Enlightenment is described as a maturation of humanity, emphasizing rational thought over ignorance; however, this definition is deemed unsatisfactory by Mandoki due to its lack of materialist perspective.
  • A metaphor involving hydration illustrates how societal conditions influenced drinking habits before coffee became popular in Europe.

The Impact of Coffee on Society

  • In the 17th century, alcohol was commonly consumed due to unsafe water; coffee's introduction changed social dynamics significantly.
  • By 1714, France began cultivating coffee despite geographical challenges, leading to a cultural shift where people engaged more actively in discussions rather than drunkenness.

Rise of Intellectual Discourse

  • The emergence of cafés allowed for vibrant discussions among intellectuals during the 18th century Enlightenment period.
  • This era saw significant philosophical and political texts being produced as people sought knowledge and reason through collective dialogue.

Contest by the Academy of Dijon

  • The Academy created an annual contest questioning whether sciences and arts improved morals; this attracted many thinkers including Denis Diderot.
  • Diderot could not participate due to imprisonment but encouraged Rousseau to argue against prevailing views on enlightenment for a unique perspective.

Rousseau's Background and Inspiration

  • Rousseau’s background includes escaping from Geneva’s strict religious environment and embracing a libertine lifestyle in France while contributing to music theory.

Rousseau's Critique of the Enlightenment

Structure of Rousseau's Essay

  • The essay begins with a preface written by Rousseau after winning a contest, clarifying his position.
  • It includes a brief introduction where he outlines the main question and rationale for his stance against the Enlightenment spirit.
  • The body is divided into two parts: the first discusses the context of restoring sciences and arts, contrasting it with previous eras.
  • The second part addresses the effects of these disciplines on customs and issues a call to action.

Preface Insights

  • Rousseau anticipates criticism from both scholars and the general public due to his anti-Enlightenment views but expresses indifference towards contemporary opinions.
  • He aims for his work to transcend his time, seeking recognition from "men of good" rather than mere scholarly acclaim.

Historical Context: The Renaissance

  • Rousseau refers to the Renaissance as a pivotal moment when humanity emerged from darkness into reason, challenging the notion that this period was devoid of progress.
  • He critiques the popular belief among Enlightened thinkers that history between Rome's fall and around the 14th century was an "obscure" era lacking knowledge advancement.

Contributions from Islamic Scholars

  • Rousseau sarcastically attributes much of Europe's intellectual revival to "stupid Muslims," highlighting their significant contributions in various fields such as algebra, trigonometry, optics, chemistry, and agriculture.
  • Notable figures include Al Juarismi (algebra), Ibn Muʿādh al-Jayyānī (trigonometry), and Ibn al-Haytham (optics).
  • Innovations included tools like compasses and advancements in crop cultivation.

Social Implications of Sciences and Arts

  • Following this intellectual rebirth in France, Rousseau notes an increase in socialization among men driven by mutual interests but warns against its implications for society's structure.
  • He establishes a dichotomy between body (society’s foundation) and spirit (the adornment provided by sciences/arts), suggesting that these disciplines mask societal oppression under false pretenses of beauty or refinement.

Virtues vs Talents

  • Rousseau contrasts virtues—essential values linked to physicality—with talents—civilizational constructs that obscure true goodness through superficial qualities like urbanity or elegance.
  • He criticizes urban values as deceptive talents while elevating rural virtues.
  • This perspective positions him more as a precursor to Romanticism than an Enlightenment thinker.

Conclusion on Sobriety vs Refinement

Rousseau's Critique of Civilization

The Dichotomy of Civilizations

  • Rousseau contrasts the calmness of civilization with the overflowing desires it represses, highlighting a culture that indulges in minor pleasures while avoiding deeper temptations.
  • He criticizes urban life for fostering a false uniformity where individuals conform to societal expectations rather than expressing their true selves, leading to mutual imitation.
  • Rousseau introduces a dichotomy between cultures focused on the body and those centered on the spirit, using historical examples to illustrate his points.

Historical Examples of Cultural Decline

  • He discusses how civilizations like Egypt and Greece fell due to their focus on arts over military virtue, leading to their eventual defeat by more physically oriented cultures.
  • The decline of Rome is exemplified through its shift from martial prowess to artistic pursuits, culminating in its vulnerability against barbarian invasions.
  • Rousseau contrasts these fallen civilizations with nomadic cultures such as the Scythians and Spartans, who he views as embodying virtuous knowledge through physical strength.

Pure Knowledge vs. Corrupted Culture

  • A comparison between Athens and Sparta illustrates Rousseau's view: Athens represents cultural corruption while Sparta embodies virtue despite its lack of artistic brilliance.
  • He references the Gothic sack of Greek cities, emphasizing that preserving libraries only served to weaken the Greeks further by making them sedentary and reliant on leisure.

Socratic Wisdom and Ignorance

  • Rousseau cites Socrates' critique of Athenian knowledge, arguing that true wisdom lies in recognizing one's ignorance rather than claiming false knowledge about beauty or goodness.
  • He suggests that if Socrates were resurrected today, he would find modern intellectual pursuits equally lacking in genuine understanding.

The Origin and Nature of Sciences and Arts

  • Rousseau argues that all sciences and arts stem from vices such as pride; even moral philosophy is tainted by this origin.
  • He asserts that these disciplines are intrinsically linked to negative human traits—art promotes luxury while history glorifies tyrants and conflict.

Rousseau's Critique of Truth and the Arts

The Dangers of Seeking Truth

  • Rousseau argues that the pursuit of truth can lead to numerous potential errors, which may have far more dangerous consequences than the benefits derived from truth itself. This perspective positions the search for truth as a significant risk.
  • He suggests that few individuals genuinely seek truth, and even when they do, recognizing it is challenging. Thus, even sincere seekers may misuse the truths they find.

The Role of Sciences and Arts

  • According to Rousseau, sciences and arts do not contribute to increasing population or improving governance; instead, he views them as undermining faith and virtue through their paradoxes. He criticizes them for promoting luxury rather than good morals.
  • He contrasts societal values in 18th-century France, where commerce was prioritized over virtue, leading to a culture that favored superficiality over substance. Women’s preferences are cited as influencing men towards cowardice in their pursuits.

Impact on Society

  • Rousseau claims that scientific study diminishes courage and valor among men, aligning himself with historical misogynistic philosophers who often held similar views about women’s influence on society. He believes art has devolved into producing lascivious images rather than uplifting society.
  • He critiques educational systems for failing to teach citizenship responsibilities while instead focusing on dead languages and rhetoric that produce mediocre scientists rather than beneficial citizens or skilled tradespeople. This misallocation of talent is seen as a wasteful loss for society.

Education and Genius

  • Rousseau posits that only those who are self-motivated should pursue studies in sciences and arts since true geniuses do not require formal education; he cites examples like Newton and Descartes to illustrate this point but acknowledges some value in academies for guiding intellectual pursuits appropriately.
  • Academies are also viewed positively by Rousseau for providing structure to literary endeavors while keeping potentially harmful philosophical ideas contained within academic walls rather than allowing them to proliferate unchecked in society.

Call to Action Against Corruption

  • In concluding his arguments against the corruption brought by excessive focus on glory or public opinion, Rousseau urges individuals to seek happiness through introspection and simplicity rather than external validation or societal accolades. This approach emphasizes personal duty over public perception as a path toward genuine fulfillment.
Video description

El discurso sobre las ciencias y las artes de Jean Jacques Rousseau, cuyo título original fue: "Discurso que ha conseguido el premio de la Academia de Dijon en el año 1750 sobre esta cuestión propuesta por la misma Academia: Si el restablecimiento de las ciencias y las artes ha contribuido a mejorar las costumbres." Es una severa crítica a la postura progresista que reflejaba el espíritu de la época durante la Ilustración. Les dejo una liga para la charla de Steven Johnson: https://www.youtube.com/watch?v=0af00UcTO-c&ab_channel=TED Contenido: 00:00 Intro 00:53 Contexto de la obra 07:52 Estructura del texto 08:40 Prefacio 09:11 Introducción 09:55 El restablecimiento de las ciencias y las artes 12:48 Dicotomía cuerpo - espíritu 13:28 Dicotomía virtudes - talentos 16:18 Argumentación histórica 19:02 Sócrates y la verdad 21:10 El origen de las ciencias y las artes 21:38 El objeto de las ciencias y las artes 22:26 Contra la verdad 23:35 El producto de las ciencias y las artes 25:40 El problema de la educación en ciencias y artes 27:00 Apología de las Academias 27:29 Llamado a la acción 28:12 Cierre Música: https://www.purple-planet.com