LE CORBUSIER Y EL PURISMO
Le Corbusier and the Emergence of Tourism
The Origins of the Tourism Movement
- The tourism movement emerged post-Cubism, initiated by the publication of "Beyond Cubism" in 1918 by French painter Amédée Ozenfant and Swiss architect Le Corbusier.
- Both Ozenfant and Le Corbusier disagreed with how Cubism had evolved, aiming to rationalize material use and resources consciously.
Aesthetic Principles in Design
- They emphasized the importance of purity, beauty, and authenticity in geometric forms applied to industrial machine designs.
- Their goal was to reflect harmony and happiness through these designs, attempting to express new dimensions beyond the traditional three-dimensional space.
Color Theory in Architecture
- In 1921, Le Corbusier collaborated with Amédée Ozenfant on establishing constant rules for color perception and association.
- They proposed a hierarchical classification of colors into three scales: major, secondary, and transitional.
Major Color Scale
- The major scale includes strong colors like yellows, ochres, reds, whites, blacks; these convey strength, stability, and balance.
- These constructive colors were predominantly used across various periods in architecture.
Secondary and Transitional Colors
- Secondary colors (e.g., lemon yellow, orange) are bright but used sparingly to avoid disrupting volume expressions.
- Transitional colors (e.g., emerald green), which are less expressive in architecture or construction contexts, are utilized even less frequently.