COQUE MALLA: "No soy un cantante de 'rock' que de repente hace teatro"

COQUE MALLA: "No soy un cantante de 'rock' que de repente hace teatro"

Overview of "The Threepenny Opera"

Description and Unique Aspects

  • The discussion begins with an introduction to "The Threepenny Opera" by Bertolt Brecht and Kurt Weill, highlighting its unique nature as a blend of opera, operetta, and musical theater.
  • It is noted that the work is not a traditional opera but rather a satirical take on the concept of opera itself, featuring a mix of operatic and cabaret styles.
  • The piece is described as a brilliant, complex portrayal of human nature set against genius music by Kurt Weill.

Popularity and Cultural Impact

  • The most famous song from the opera, "Mack the Knife," has been performed by notable artists like Louis Armstrong and Frank Sinatra.
  • While "Mack the Knife" garners significant attention, it is emphasized that other songs in the production are equally or more impressive yet less known to the general public.

Historical Context

Creation Background

  • The conversation shifts to historical context; Brecht and Weill prepared "The Threepenny Opera" for its premiere in 1928 amidst political tensions in Germany.
  • An anecdote reveals that an actor sympathetic to Nazism threatened not to perform unless given a specific song for his character, leading Weill to compose “Mackie’s Song” overnight.

Setting Reflection

  • The setting reflects London's impoverished neighborhoods with competing gangs reminiscent of shows like "Peaky Blinders," though distinct from it.

Societal Commentary

Themes Explored

  • The narrative captures the chaotic atmosphere of Berlin during the Weimar Republic while relocating it to late 19th-century London, showcasing societal issues such as crime and poverty.

Artistic Challenges

  • Adapting such classic works poses directorial challenges due to their revered status; "The Threepenny Opera" is likened in importance to Shakespeare's works.

Personal Insights on Performance

Performer’s Journey

  • A performer shares their background in theater rather than solely rock music, emphasizing their deep-rooted connection with theatrical arts from childhood.

Character Complexity

  • They discuss how portraying complex characters like Mackie requires depth beyond typical rock performances due to intricate vocal demands.

Musical Influences

Genre Blending

  • There’s recognition that Weill's music draws inspiration from jazz roots akin to early rock 'n' roll, linking back through musical history.

Technical Demands

  • Unlike rock music which embraces imperfections, this work demands technical precision in vocal performance that can be challenging for rock musicians accustomed to different styles.

Transitioning Careers

Evolution as an Artist

  • Reflecting on their journey post-"Los Ronaldos," they describe learning new singing techniques when performing solo compared to being part of a loud band environment.

Creative Growth

  • This transition led them toward exploring diverse sounds and songwriting methods necessary for personal artistic development.

Current Music Landscape

Industry Changes

  • Discussion touches upon how contemporary music consumption has shifted dramatically due to social media platforms affecting artist visibility despite personal success at venues like Movistar Arena.

Future Directions

  • Looking ahead towards upcoming projects including recording new albums rich in orchestration while also expressing desire for simpler rock-focused creations moving forward.

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Video description

Coque Malla se sumerge en uno de los grandes clásicos del teatro musical al interpretar a Mackie Navaja en La ópera de los tres centavos, la célebre obra de Bertolt Brecht y Kurt Weill. En esta entrevista, el artista madrileño reflexiona sobre el desafío de dar vida a un personaje que considera a la altura de Hamlet y explica por qué este montaje sigue siendo una obra única dentro de la historia de la escena. Durante la conversación, Coque habla de su profunda conexión con el teatro, un mundo en el que creció gracias a sus padres, ambos actores, y desmonta la idea de que se trate de un músico de rock que se aventura ocasionalmente en la interpretación. También repasa los retos vocales que le ha exigido la obra, las diferencias entre cantar rock y abordar el repertorio de Kurt Weill, y el trabajo que ha realizado para adaptarse a una partitura tan compleja como fascinante. Además, recuerda su etapa al frente de Los Ronaldos, su evolución artística en solitario, la transformación de la industria musical, la desaparición de los espacios dedicados a la música en la televisión y los cambios que han traído las redes sociales y las plataformas digitales. También adelanta detalles de su próximo disco, previsto para 2027, y deja claro que, después de esta aventura teatral, lo que más le apetece es volver al rock and roll, los conciertos y la carretera. Una charla cercana y sincera sobre teatro, música, creación artística y una carrera que sigue reinventándose más de cuatro décadas después de sus inicios. #CoqueMalla #Entrevista #LaÓperaDeLosTresCentavos #Teatro #Música #Rock #LosRonaldos #Cultura #KurtWeill #BertoltBrecht #Madrid #TeatroMusical --------------------------------------------------------------------------------------------------------------------------- Lee la noticia completa: https://www.20minutos.es/cultura/coque-malla-no-soy-un-cantante-rock-que-repente-hace-teatro-me-he-criado-los-teatros-es-mi-mundo_7039239_0.html?utm_medium=social&utm_campaign=noticias&utm_source=Youtube Síguenos en redes: Instagram: https://www.instagram.com/20m/ Youtube: https://www.youtube.com/@20m TikTok: https://www.tiktok.com/@20m WhatsApp: https://www.whatsapp.com/channel/0029VaBpla3G8l5CbpH86t3n X: https://x.com/20m Facebook: https://www.facebook.com/20minutos.es

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