Developing the Architectural Concept - Architecture Short Course (Part 2)

Developing the Architectural Concept - Architecture Short Course (Part 2)

Part Two: Converting Design Concepts into Architecture

Introduction to Architectural Design Process

  • The course focuses on transforming design concepts from part one into architectural forms, emphasizing the importance of floor plans and spatial relationships.
  • Abstraction is crucial for visualizing architecture beyond physical reality; however, it must be translated into tangible designs through sketches and models.

Sketching and Planning

  • Initial sketches for projects like Squid Cove are often messy, requiring refinement to create coherent building designs based on site analysis and client needs.
  • Architects use bubble diagrams to represent room sizes and adjacency requirements, ensuring functional relationships between spaces (e.g., master bedroom proximity to bathrooms).

Public vs. Private Spaces

  • The design process involves dividing public and private areas within the building footprint while considering circulation pathways that connect these spaces.
  • A basic public-private diagram illustrates central public spaces with private areas positioned strategically for unique views and micro-climate control.

Form Development in Architecture

  • Early plan layouts remain general; specific details like door placements or furniture arrangements are not finalized at this stage.
  • Clarity in diagrams indicates progress; different colors represent public, private, and support spaces, aiding in understanding spatial organization.

Exploring Architectural Forms

  • Common gestures emerge in designs, such as interlocking L-shapes that balance sheltering qualities with openness, influencing occupant experiences.
  • Form encompasses a building's shape, size, scale, color, texture—essentially its visual properties—and directly impacts both interior and exterior perceptions.

Influences on Building Form

  • The concept "form follows function" by Louis Sullivan highlights a modern approach but does not encompass all possibilities available to architects when designing forms.

Understanding Architectural Form and Experience

The Significance of Building Form

  • A building's form serves as a crucial indicator of its purpose and societal role, exemplified by cathedrals which convey the church's power through their massive scale and distinctive spires.
  • The architecture intentionally distorts form and scale to evoke feelings of insignificance in individuals within the space, particularly in the nave of a cathedral.
  • Material choices, such as stone for structural support, influence architectural form; buttresses are employed to prevent walls from bowing outward, showcasing a blend of materiality and design intent.

Exploring Design Flexibility

  • Early fixation on a building’s form can hinder deeper exploration of ideas; using loose forms like blocks or bent chipboard allows for flexibility in conceptualizing relationships between spaces.
  • Prioritizing aesthetic over functional aspects can lead to poor architectural outcomes; designers should narrate experiences based on sensory elements like light quality, soundscapes, and spatial proportions.

Spatial Experience Considerations

  • Considering paths of travel enhances user experience; architects should think about how movement through spaces can be enriched or altered by architectural decisions.
  • Inspiration drawn from local vernacular architecture (e.g., saltwater farms) can yield simple yet complex spatial relationships that enhance functionality while maintaining aesthetic appeal.

Balancing Tradition with Modernity

  • The "Big House, Little House" typology historically linked farm structures for convenience; contemporary designs can utilize these forms while creating interesting interior spaces.
  • While traditional gable forms are structurally efficient, they must be thoughtfully integrated with modern design principles to create an engaging user experience.

Iterative Design Process

  • Distortions in ceiling heights can emphasize design concepts without overt complexity in exterior forms; manipulating horizon lines enhances spatial experience throughout the structure.
  • Each circulation path offers varied ceiling heights that synergize with views, enhancing overall site experience while considering financial implications for clients during the design process.

Refinement Through Feedback

  • Proposing multiple design options (expected, unexpected, and hybrid solutions) encourages client engagement but requires revisions based on feedback received after presentations.

Editing Design Drafts

Importance of Editing in Design

  • First drafts require thorough editing to enhance clarity and focus on energizing ideas within the design.
  • Key questions for editing include: What ideas need to be emphasized? What is unclear in the current draft?
  • A practical method for editing involves overlaying a fresh layer of trace on the plan to facilitate diagramming and visualization.

Evaluating Circulation and Space

  • Assess whether circulation paths are clear, entries are defined, and spaces are appropriately located and sized for their intended use.
  • Identify elements that do not make sense or align with the chosen concept, guiding necessary revisions.

Iterative Process of Design

  • Recognize that processing all required information cannot occur in a single round of revisions; multiple iterations are essential.
Video description

Developing the architectural concept into floor plans, designing the form, and refining the spatial ideas are all covered in part 2 of our architecture short course. The first step in making the abstract concept real is to sketch a floor plan and then give that plan a three-dimensional form. A floor plan is a quick way of describing the hierarchy and relationship of spaces and it begins fixing their real physical dimensions and shapes. Throughout the design process architects must continually consider the design in both the plan, or overhead view, and the sectional, or volumetric view. The easiest way I’ve found to do this is to begin by sketching a plan and then construct a three-dimensional version of that plan either in model form or by sketching. In order to get to three dimensions, we have to make some decisions about form, space, and order. When we speak about form we’re referring not only to a building’s shape but also to its size, scale, color, and texture…basically, all the visual properties of an object. Form has a direct relationship to space in that it influences both interior and exterior rooms. And lastly, order is how we choose to orient and relate the forms and spaces to each other. This directs the inhabitant’s experience of a place. We'll review strategies for refining the floor plan, designing meaningful building forms, editing, and converting two-dimensional abstract concepts into three-dimensional buildings. Additional Form Making Resources: http://thirtybyforty.com/architecture-short-course-form-making/ // GEAR I USE // DSLR CAMERA: * Canon 70D: http://amzn.to/29klz7k LENSES: * Canon 24mm f2.8 Lens: http://amzn.to/29l7ac5 * Canon 40mm f2.8 Lens: http://amzn.to/29x2QcI AUDIO: * Rode VideoMic Pro (hotshoe mtd.): http://amzn.to/29qlNM3 * ATR-2100 USB (dynamic mic): http://amzn.to/2dFDaKp ARCHITECTURE GEAR: * Prismacolor Markers: http://thirtybyforty.com/markers * Timelapse Camera: http://thirtybyforty.com/brinno * AutoCAD LT: http://amzn.to/2dxjMDH * SketchUp PRO: http://amzn.to/2cRcojz * HP T120 Plotter: http://amzn.to/2dBGf1O * Adobe CC Photography (Photoshop/Lightroom) Plan: http://amzn.to/2dhq5ap STARTUP TOOLKIT: * Architect + Entrepreneur Startup Toolkit: http://thirtybyforty.com/SPL -~-~~-~~~-~~-~- Please watch: "Making a Site Model - The Outpost Project" https://www.youtube.com/watch?v=VsJrDScS5ZI -~-~~-~~~-~~-~-