Lesson 48. What Characters are Really Saying│The Mechanics of Fiction Writing

Lesson 48. What Characters are Really Saying│The Mechanics of Fiction Writing

Understanding Subtext in Literature

Defining Subtext

  • The term "subtext" refers to the underlying meaning or implications within a story, often beyond the literal words spoken.
  • American literary fiction writers have a strong affinity for subtext, possibly influenced by Hemingway's style of leaving things unsaid to provoke deeper reader contemplation.

The Role of Epiphanies and Directness

  • In early 20th-century literature, stories often included epiphanies; however, real life doesn't always present such moments.
  • A glossary definition describes subtext as "meaning that is implied rather than stated," but not all text requires deep analysis—sometimes it can be taken at face value.

Analyzing Character Interactions

  • Overanalyzing details (like furniture in a character's living room) may not benefit writers; sometimes straightforward observations suffice.
  • Characters can express feelings directly (e.g., saying "I love you") without needing hidden meanings beneath their words.

Social Politeness and Indirect Communication

  • Writers should understand when subtext is used in conversations and its dramatic potential; indirect communication often serves social niceties.
  • Example: Gretchen feigns friendliness towards Liza despite past grievances, demonstrating how social interactions are often layered with unspoken truths.

Psychological Games in Conversations

  • People engage in psychological games to navigate uncomfortable situations, prioritizing social harmony over honesty.
  • Stephen Pinker discusses this behavior in his book This Stuff of Thought, highlighting how indirect speech can lead to better outcomes.

The Art of Suggestive Language

  • An example from Pinker's work illustrates how suggesting an invitation for coffee can serve as a euphemism for more intimate intentions (sex).

Understanding Subtext in Dialogue

The Complexity of Human Interaction

  • Discusses the various ways individuals may compromise their principles for social acceptance, including indirect insults and deceit.
  • Highlights how dialogues can carry dramatic subtext, which is often a focal point for literary writers.

Example 1: "Fires" by Rick Bass

  • Introduces Joe, a Montana woodsman, and Glenda, a runner; they communicate via radio while harboring unspoken feelings for each other.
  • Illustrates their mundane conversation about dogs and hedgehogs as a metaphor for their deeper emotional tension.
  • Emphasizes the suspense created by their reluctance to express true feelings amidst trivial dialogue.

Example 2: "The Cask of Amontillado" by Edgar Allan Poe

  • Introduces Montresor's vengeful intentions towards Fortunato, setting up an interaction filled with subtext.
  • Analyzes Montresor’s feigned friendliness as he manipulates Fortunato’s ego to lead him into danger.
  • Points out that readers can infer Montresor's malicious intent through his deceptive dialogue.

Key Takeaways on Subtext

  • Concludes that not every conversation has deep underlying meanings; however, subtext can enhance drama in storytelling.
  • Suggests that effective use of subtext requires clarity so readers can interpret characters' true intentions accurately.

Understanding Subtext in Fictional Dialogue

The Role of Subtext in Character Interactions

  • Writers can effectively use subtext to create tension, but it must align with the character's motivations and the plot context. This balance is crucial for realism.
  • Withholding information or masking true intentions can be a strategic choice for characters, as explained by Stephen Pinker. This behavior increases their chances of achieving goals while minimizing negative outcomes.
  • Subtext should be employed thoughtfully; overemphasizing its importance may lead to poor writing. Misleading readers through forced tension can result in confusion or boredom.
  • Characters should communicate directly when appropriate. Forcing subtext into straightforward dialogues detracts from clarity and engagement, potentially alienating readers.
Video description

Literary writers seem to love when characters say one thing and mean another. But people don't always talk this way. Learning when and why people couch their meaning in subtext can help writers to know when it's appropriate to create drama this way without it seeming forced or unnatural. If you're interested in supporting this channel so I can continue to make videos like this one and others, please like, subscribe, and share with other writers. You can also help support the channel directly by visiting: https://www.rowelit.com/support The companion book for this series containing lecture notes and exercises is tailored to sharpen the skills covered in each lesson and is available through my online bookstore: https://www.amazon.com/author/p.e.rowe Purchasing a copy for yourself or a fellow writer helps to support this channel and your own writing skills.