EL REALISMO LITERARIO

EL REALISMO LITERARIO

Romanticism and Realism: A Cultural Shift

Emergence of Romanticism

  • Romanticism emerged in late 18th century Germany as a cultural and artistic movement advocating for individual freedom, contrasting with neoclassicism and the Enlightenment's emphasis on reason.
  • The movement spread across Europe in the first half of the 19th century, prioritizing feelings over reason as a means of expression in various art forms including literature, painting, music, and dance.

Characteristics of Romanticism

  • Key features included emotional expression, solitude, social distancing to escape reality, individualism, imagination embellishing perceptions of the environment, subjectivity beautifying ideas, fantasy use, exaggeration, idealization of humanity and nature.
  • Romantics freely blended literary genres and writing styles in prose and verse; significant genres included narrative drama and poetry.

Influential Authors of Romanticism

  • Notable figures include German author Johann Wolfgang von Goethe with "Faust," Scottish writer Walter Scott known for "Waverley," English novelist Mary Shelley who created "Frankenstein," French authors Victor Hugo ("Les Misérables") and Alexandre Dumas ("The Count of Monte Cristo").
  • In Spain, José Zorrilla's "Don Juan Tenorio" and Gustavo Adolfo Bécquer's "Rimas y Leyendas" were prominent. Edgar Allan Poe became influential in America through works like "The Raven."

Latin American Representation

  • In Latin America, Manuel Acuña represented romanticism with his poem "Nocturno a Rosario," while Jorge Isaacs' novel "María" is considered a masterpiece of 19th-century Hispanic literature.

Transition to Realism

  • By the second half of the 19th century, realism emerged in France as a response to romanticism aiming to return to reasoned expressions reflecting social realities deteriorating since the Industrial Revolution.
  • The Industrial Revolution initiated significant social changes leading to capitalism that favored industrial owners over workers; this context prompted romantic artists to escape societal issues through their work.

Critique by Philosophers

  • Philosophers like Karl Marx and Engels critiqued capitalism’s class inequalities from the 17th century onward. Journalism gained prominence as an important medium for discussing significant events during this period.

Rise of Positivism

  • The philosophical movement known as positivism arose in the 19th century led by Auguste Comte advocating knowledge through verified experience supported by scientific methods.

Literature Reflecting Reality

  • Throughout the 19th century in Europe and America revolutions occurred alongside conflicts between liberal forces versus conservative ones; these dynamics influenced literature which began depicting everyday life realistically.

Characteristics of Realist Literature

  • Realist literature focused on portraying harsh realities faced by lower classes such as poverty and injustice without sensationalizing them but rather communicating their severity.

Development of Literary Realism

  • This literary movement emphasized detailed observation for analyzing social environments using simple language aimed at reflecting society rather than individual emotions typical in romantic works.

Notable Realist Authors

Realism in Literature

Key Authors and Works of Realism

  • The best realist authors in the UK include Charles Dickens, known for "David Copperfield" and "A Christmas Carol," and William Thackeray with "Vanity Fair."
  • In Spain, Benito Pérez Galdós emerged as a leading figure in realism through novels like "Fortunata y Jacinta," "Doña Perfecta," and "Marianela," earning him recognition as the greatest Spanish novelist after Miguel de Cervantes.
  • Other notable Spanish realists include Emilia Pardo Bazán with "Los pasos de Ulloa" and Leopoldo Alas (Clarín) with "La Regenta," which is considered a pinnacle of 19th-century Spanish literature.
  • In Russia, Fyodor Dostoevsky represented realism with works such as "Crime and Punishment" and "The Brothers Karamazov." Leo Tolstoy contributed significantly with novels like "War and Peace" and "Anna Karenina."
  • American author Mark Twain, known for his pen name, wrote significant realist novels including "The Adventures of Tom Sawyer" and "The Adventures of Huckleberry Finn."

Naturalism: A Derivative Movement

  • Naturalism emerged as a more intense version of realism, focusing on social issues through scientific observation. It aimed to depict harsh realities rather than idealized versions.
  • French writer Émile Zola is recognized as the father of naturalism, producing a series called “Les Rougon-Macquart,” which includes titles like “Germinal” that reflect life during France's Second Empire.
  • In Mexico, Federico Gamboa was a key naturalist figure with his novel “Santa,” portraying the struggles of an abandoned young woman facing societal injustices.
  • Chilean author Baldomero Lillo highlighted labor exploitation in his short story “La compuerta número 12,” showcasing the grim realities faced by workers in mines.

Costumbrismo: Cultural Reflections

  • Costumbrismo arose from realism to depict local customs and traditions. Ramón de Mesonero Romanos is credited with defining this subgenre in Spain.
  • Mexican writers such as José Joaquín Fernández de Lizardi initiated costumbrismo post-independence with works like “El periquillo sarniento.”
  • Notable authors included Luis Inclán (“Astucia”), Manuel Payno (“Los bandidos de Río Frío”), José Tomás de Cuéllar (under pseudonym Facundo), contributing to regional narratives.

Continued Development of Realism in Latin America

  • Latin American realism persisted until 1940, addressing social issues like poverty through various narrative forms. Novels about the Mexican Revolution are prominent examples.
  • Indigenous literature depicted injustices faced by native cultures; notable works include Jorge Icaza’s “Huasipungo” and Alcides Arguedas’ “Raza de bronce.”
Video description

EL REALISMO LITERARIO. El Realismo surgió en Francia en la segunda mitad del siglo XIX como respuesta al Romanticismo y como medio de expresión de la realidad cotidiana, en las artes de literatura y pintura. ► CAPÍTULOS 0:00 Romanticismo 2:44 Realismo 3:06 Contexto histórico 5:30 Características 6:19 Autores del Realismo Literario 8:12 El Realismo Literario en América 8:49 Naturalismo 10:02 Costumbrismo 11:15 Realismo Latinoamericano del Siglo XX ► ROMANTICISMO Goethe (ALE): Fausto, Las penas del joven Werther, Los años de aprendizaje de Wilhelm Meister. Walter Scott (ESC): Ivanhoe, Waverley, Rob Roy, The Lady of the Lake. Mary Shelley (ING): Frankenstein o el moderno Prometeo. Victor Hugo (FRA): Los miserables, Nuestra Señora de París. Alexandre Dumas (FRA): El conde de Montecristo. José Zorrilla (ESP): Don Juan Tenorio (drama). José de Espronceda (ESP): El estudiante de Salamanca, Canción del pirata (poemas). Gustavo Adolfo Bécquer (ESP): Rimas, Leyendas (poemas). John Keats (ING): Lamia, Isabella, La víspera de santa Inés (poemas). Heinrich Heine (ALE): Libro de las canciones (poemas). Edgar Allan Poe (EUA): El cuervo (poema). Manuel Acuña (MEX): Nocturno a Rosario (poema). Jorge Isaacs (COL): María (novela). ► REALISMO Honoré de Balzac (FRA): La Comedia Humana: La piel de zapa, Eugenia Grandet, Papá Goriot. Henri Beyle “Stendhal” (FRA): Rojo y negro, La cartuja de Parma. Gustave Flaubert (FRA): Madame Bovary, La educación sentimental, Bouvard y Pécuchet. Charles Dickens (ING): David Copperfield, Oliver Twist, Cuento de Navidad, Historia de dos ciudades. William Thackeray (ING): La feria de las vanidades. Mary Anne Evans “George Eliot” (ING): Middlemarch. Benito Pérez Galdós (ESP): Fortunata y Jacinta, Doña Perfecta, Marianela, Misericordia, La desheredada, Ángel Guerra, Nazarín. Emilia Pardo Bazán (ESP): Los pazos de Ulloa. Leopoldo Alas “Clarín” (ESP): La Regenta, Su único hijo. Fiódor Dostoyevski (RUS): Crimen y castigo, Los hermanos Karamazov. León Tolstói (RUS): Guerra y paz, Anna Karénina. Iván Turguénev (RUS): Memorias de un cazador, Padres e hijos. Theodor Fontane (ALE): Effi Briest. Gustav Freytag (ALE): Débito y crédito Wilhelm Raabe (ALE): Horacker. Giovanni V. (ITA): Los Malasangre, Maestro Don Gesualdo. Antonio Fogazzaro (ITA): Pequeño mundo antiguo, Pequeño mundo moderno, El Santo. Edmondo De Amicis (ITA): Corazón. Henrik Ibsen (NOR): Casa de muñecas, Espectros. Juan Valera (ESP): Pepita Jiménez. Thomas Mann (ALE): La montaña mágica, Los Buddenbrook. Samuel Langhorne “Mark Twain” (EUA): Las aventuras de Tom Sawyer, Las aventuras de Huckleberry Finn. Henry James (EUA): Las bostonianas, La princesa Casamassima. Bret Harte (EUA): Los desterrados de Poker Flat, La Suerte de Roaring Camp. Ignacio Altamirano (MEX): Clemencia, El Zarco. Federico Gamboa (MEX): Suprema Ley, Del natural, Santa, Apariencias. Emilio Rabasa (MEX): La bola, La gran ciencia, La guerra de los tres años, El cuarto poder. José Portillo y Rojas (MEX): La Parcela, La raza indígena. Ángel de Campo (MEX): La rumba, Ocios y apuntes, Cosas vistas. ► NATURALISMO. Émile Zola (FRA): Les Rougon-Macquart: Naná, La Taberna, Germinal. Antón Chéjov (RUS): La gaviota, Tío Vania, Las tres hermanas, El jardín de los cerezos. Nikolái Gógol (RUS): Almas muertas, El inspector. Thomas Hardy (ING): Lejos del mundanal ruido, Tess de los d'Urberville. Emilia Pardo Bazán (ESP): La cuestión palpitante. Vicente Blasco Ibáñez (ESP): La barraca, Los cuatro jinetes del apocalipsis. Theodore Dreiser (EUA): El financiero, Una tragedia americana. Federico Gamboa (MEX): Santa. Baldomero Lillo (CLE): La compuerta número 12, Sub terra. Mercedes Cabello de Carbonera (PER): Blanca Sol. Clorinda Matto de Turner (PER): Aves sin nido. Eugenio Cambaceres (ARG): Música Sentimental, Sin rumbo, Potpourri, En la sangre. Carlos Loveira (CUB): Generales y doctores. Matías González García (PR): Cosas. Manuel Zeno Gandía (PR): La charca. ► COSTUMBRISMO Ramón de Mesonero Romanos (ESP): Panorama matritense, Escenas Matritenses. Mariano José de Larra “Fígaro” (ESP): Artículos de costumbres. José María de Pereda (ESP): Sotileza Serafín Estébanez Calderón (ESP): Escenas andaluzas. José Joaquín Fernández de Lizardi (MEX): El Periquillo Sarniento. Luis G. Inclán (MEX): Astucia. Manuel Payno (MEX): Los bandidos de Río Frío. José Tomás de Cuéllar “Facundo” (MEX): La linterna mágica. Antonio García Cubas (MEX): El Libro de mis Recuerdos. ► NOVELAS DE LA REVOLUCIÓN MEXICANA: Los de Abajo (Mariano Azuela). La Sombra del Caudillo (Martín Luis Guzmán). ► NOVELAS INDIGENISTAS: Huasipungo (Jorge Icaza). Raza de bronce (Alcides Arguedas). El mundo es ancho y ajeno (Ciro Alegría). ► LITERATURA GAUCHESCA: El Gaucho Martín Fierro (José Hernández). Don Segundo Sombra (Ricardo Güiraldes). ► NOVELAS REGIONALISTAS: Doña Barbara (Rómulo Gallegos). La Vorágine (José Eustasio Rivera).