Een interview met Henk Helmantel

Een interview met Henk Helmantel

Artistic Techniques and Material Choices in Painting

Sourcing Materials

  • The speaker discusses the challenges of sourcing specific materials, particularly Swedish products, which are imported through a location in Oldenzaal.
  • Emphasizes the stability of the material used for painting, noting that older paintings (around 60 years old) have not significantly changed over time.

Layering Techniques

  • The speaker mentions using different thicknesses of materials (6mm preferred), indicating that layering is crucial for achieving desired effects in larger works.
  • Discusses the importance of applying multiple layers to create depth, with each layer contributing to the overall body and texture of the paint.

Composition Development

  • Explains how compositions are built from larger forms to smaller details, starting with an overarching shape before refining elements within it.
  • Describes assembling compositions on a table or floor before transferring them onto panels for final execution.

Drawing Process

  • Outlines initial steps in drawing, such as determining horizon lines and positioning objects relative to one another.
  • Highlights the significance of background elements and their relationship to foreground objects to maintain compositional balance.

Risk Management in Composition

  • Addresses potential risks when beginning with a single object; stresses careful consideration of overall composition as additional elements are added.

Understanding the Artistic Process

Framing and Composition

  • The artist discusses the importance of framing in their work, emphasizing that the initial step involves enclosing the subject within a defined space or "frame" to guide the composition.
  • They mention using a grid system to divide areas into blocks, which aids in planning out drawings on paper before transferring them onto canvas.

Techniques in Drawing

  • The artist explains how they utilize basic shapes (like rectangles and cylinders) as foundational elements when sketching objects, ensuring symmetry and proportion are maintained.
  • A technique involving reflection is highlighted; checking sketches in a mirror helps identify inaccuracies, serving as a corrective measure during the drawing process.

Layering and Painting Phases

  • The discussion shifts to painting techniques, where building up layers of paint is compared to creating depth. Initial layers are crucial for establishing body and texture.
  • The artist describes using pencil sketches as an underlayer that gets fixed with carbon before applying paint, ensuring stability in their artwork.

Time Management in Art Creation

  • A question arises about time allocation across different phases of creating art. The artist notes that each phase varies significantly in time investment based on complexity.
  • They elaborate that simpler still lifes may take less time than more complex compositions, which require careful attention to detail and perspective.

Enjoyment of Different Phases

  • When asked about their favorite phase of creation, the artist expresses joy in the initial drawing stage where ideas begin to materialize from nothing into a tangible form.

Artistic Techniques and Color Use in Painting

The Role of Color in Composition

  • The speaker discusses the use of color in their paintings, emphasizing that colors often reflect a fantasy rather than reality. They mention using a Spanish table as inspiration for color choices.
  • Importance is placed on creating harmony among colors used in the foreground, with an emphasis on utilizing contrasting colors to enhance spatial perception.
  • The speaker explains their approach to complementary colors, aiming for connections between all hues while avoiding extreme contrasts.
  • There’s a recognition that different artists may have varying perspectives on color usage, but the speaker prefers a balanced approach.

Techniques and Materials Used

  • A question arises about the initial phases of painting; the artist mentions starting with turpentine and transitioning to oil-based mediums.
  • Discussion includes experiences with different types of resins and how they affect painting techniques, noting synthetic backgrounds are preferred.
  • The artist describes working in layers or "parties," where they structure their work by first applying base colors before detailing.

Background Choices and Underpainting

  • The speaker emphasizes maintaining a rich palette from the beginning, allowing background elements to influence overall composition without overshadowing main subjects.
  • They share insights into underpainting techniques, mentioning how white backgrounds can enhance luminosity while also discussing personal preferences against darker bases.

Challenges with Color Application

  • The artist reflects on past experiences using various underpainting methods, including red tones reminiscent of classical styles but expresses discomfort with this approach due to its traditional connotations.
  • They highlight challenges faced when trying to revert back to original white layers after applying other colors, indicating that it complicates the process significantly.

Preferences for Dark Colors

  • A preference for using white as an undercoat is noted; however, black is mentioned as being less favored due to its tendency to muddy other colors when mixed improperly.
  • The discussion shifts towards alternative dark shades like violet or blue being more aesthetically pleasing compared to pure black which can be seen as 'polluting' other hues.

Texture and Brushwork Techniques

  • Insights into brushwork reveal that darker shades can be created through layering various colored paints instead of relying solely on black paint.
  • The artist shares thoughts on making surfaces interesting through varied brush techniques and textures achieved via specific tools like palette knives during painting sessions.

Artistic Techniques and Challenges in Painting

Exploring the Use of Tools in Painting

  • The speaker discusses the use of a knife for applying paint, comparing it to how one might interact with skin, indicating a tactile relationship between the artist and their medium.
  • A chaotic palette is described, emphasizing the importance of familiarity with one's tools and materials despite disorder. The speaker expresses confidence in navigating this chaos.
  • The challenges of using a knife on uneven surfaces are acknowledged, highlighting the complexities involved in achieving desired textures and effects.

Addressing Artistic Problems

  • An anecdote about painting a fruit bowl illustrates how unexpected issues arise over time, such as paint running or changing appearance. The speaker reflects on problem-solving strategies.
  • Specific examples include dealing with asparagus that grows unexpectedly overnight; this emphasizes adaptability in artistic practice.

Creativity and Memory in Art

  • The discussion shifts to creativity's role in filling gaps left by memory when painting subjects like pears. This suggests an interplay between observation and imagination.
  • The artist recalls specific colors from memory while working on chestnuts, demonstrating how past experiences inform current work.

Varnishing Techniques

  • Questions arise regarding traditional varnishing methods. The speaker shares personal techniques for preventing damage during varnishing processes.
  • A method involving placing canvases between cotton pads is described to protect them while varnishing; this indicates practical solutions to common problems faced by artists.

Chemical Considerations in Varnishing

  • Discussion includes challenges related to drying times of varnish and its interaction with paint layers. Continuous smoothing is suggested as a technique for better results.
  • Alternative solutions are explored, including advice received from others about effective varnishing practices without damaging underlying paint layers.

Insights into Modern vs. Traditional Materials

  • A chemist's perspective on modern versus traditional varnishes highlights molecular differences affecting adhesion to pigments; this underscores the importance of material science in art restoration.
  • Historical context is provided regarding older materials being coarser but more compatible with pigments compared to contemporary options.

Observations on Panel Work

  • The speaker notes that panel paintings often require different considerations due to their density and porosity compared to canvas works, impacting how varnish interacts with them.

Exploring Church Interiors and Artistic Techniques

Discussion on Church Interiors

  • The speaker reflects on the complexity of church interiors, noting a perceived lack of contrast in some designs. They express curiosity about the reasons behind this observation.
  • Acknowledgment that materials used in interiors often share similar types, which may contribute to the overall aesthetic and feel of the space.

Color and Perspective in Art

  • The conversation shifts to color choices, highlighting how soft colors and light/shadow interplay can influence the intensity of contrasts within artwork.
  • The importance of perspective is emphasized; complex rules govern how perspectives are established in paintings, particularly regarding vanishing points.

Techniques for Establishing Perspective

  • The speaker describes their method for determining perspective using physical tools like long rods or strings to establish accurate vanishing points.
  • They prefer a more organic approach rather than strictly adhering to lines, allowing for slight irregularities that add character to their work.

Color Application Methodology

  • Discussion on how colors are applied systematically; they use a numerical system ranging from 0 (very dark) to 5 (very light), aiding in translating ideas onto canvas.
  • This structured approach helps them understand how to effectively translate their vision into a painting.

Portraiture Insights

  • The artist shares their preference for creating portraits without relying heavily on photographs, valuing personal interpretation over photographic accuracy.
  • They discuss the time investment required for portrait sessions and reflect on past experiences where capturing personality was challenging but rewarding.

Importance of Composition

Video description

Rob de Reus interviewt Henk Helmantel in zijn atelier in Westeremden.