What "Ancient" Chinese Sounded Like - and how we know

What "Ancient" Chinese Sounded Like - and how we know

Uncovering the Ancient Imperial Language of China

This transcript discusses the history of Chinese pronunciation and how scholars uncovered their ancient imperial language.

The Challenge of Recovering Ancient Pronunciations

  • Chinese scholars were reconstructing proto-languages centuries before Europeans.
  • Recovering the sounds immortalized in classical texts was a challenge.
  • There were no recordings, phonetic transcriptions, or even an alphabet to work with.
  • Scholars worked with characters, each one standing for a one-syllable word or word piece.

The Qièyùn Method

  • Chen Li used the Qièyùn method to capture the sound of a syllable.
  • The method involved using two more characters: an upper character to match the initial consonant and a lower character to rhyme with the final sounds, including tone.
  • With this method, you can capture the sound of a syllable.

Organizing Phonology into Tables

  • Rhymers needed to organize information into tables for an overview of Chinese phonology.
  • The 12th century Rhyme Mirror is full of rime tables that give more info about syllables.
  • Interpretation is debated.

Flaws in Previous Research

  • Confident scholars spent centuries sounding out ancient Chinese syllables and teaching that Chinese had exactly 36 initial consonants.
  • Chen Li's linked sets revealed flaws: there weren't 36 initials; there were 41. Five of them needed to be split in two.
  • Later research showed that even the earlier stage itself is complicated. It's a compromise between ancient literary dialects.

Precise Sounds

  • In the early 1900s, a Swede traveled to China and dug into old rimes and tables but wanted precise sounds that fit into boxes for four tones, initials, and finals.

The Evolution of Chinese Pronunciation

This section discusses the evolution of Chinese pronunciation and how it has changed over time.

Ancient Pronunciations

  • Korean, Japanese, and Vietnamese use Sino-Xenic pronunciations for Chinese characters.
  • These pronunciations point back to an ancient pronunciation that ended in a consonant, like /kwək̚˧/.
  • Linguists have refined these reconstructions and painted acoustic portraits of Ancient Chinese that would sound foreign in Mandarin today.

Middle Chinese

  • "Middle" refers to a period in linguistic history called Middle Chinese.
  • There is an even older language to uncover, a thousand years older still.
  • Maybe one day we'll rhyme our way into Old Chinese.

Conclusion

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Video description

How China's scholars uncovered its ancient imperial language and founded a linguistic tradition that's uniquely separate from the West. Subscribe for language: https://www.youtube.com/subscription_center?add_user=NativLang Become my patron: https://www.patreon.com/user?u=584038 ~ Briefly ~ (spoilers!) What Chinese once sounded like and how that was discovered throughout the ages... to be explained, not through the eyes of European linguistics, but in the old and venerable tradition of Chinese linguistics! Since ancient times Chinese scholars have been arguing about the right way to pronounce classic poetry and literature. Here's how they dug into the past and reconstructed the earlier sounds behind the characters. After a note about my struggles with Chinese phonology, our tale begins in 1842 with Chen Li's attempt to piece together older Chinese pronunciation. He's working from a fanqie dictionary put together more than 1200 years earlier by Lu Fayan after a party at his house turned into an argument about the exact pronunciation of ancient rhymes. We'll look at an example of fanqie, then wander hundreds of years later to see how rime tables presented Chinese phonology in a more systematic way. With these resources in hand, scholars spent centuries convincing everyone that they could reconstruct any syllable and that Chinese had exactly 36 initial consonants. We return to Chen Li's time to watch him dissect the fanqie and prove that Chinese phonology was more complicated and less understood than previously thought. Then, a Swede named Karlgren will visit China and use information from modern "dialects", including Sino-Xenic pronunciations, to fill in the fanqie and rime table categories with real sounds. After considering how scholars have built on this work, we end up with tiny snapshots of historical Chinese pronunciation but a good overview of the framework used to investigate it. With one important adjustment: what's being reconstructed turns out not to be a single language called "Ancient" Chinese. It's a period and a categorical system now known as "Middle Chinese". "Middle" because there's an "Old" Chinese, which is even older, has its own (connected) stories and could be worth a visit. ~ Credits ~ Art, animation, narration and outro music by Josh from NativLang Doc full of sources for claims made and images, music, sfx, fonts used: https://docs.google.com/document/d/1uq3P0MCEaNxuG3gynlZo3r-7Q21EGHqQL19NtlrRnrE/ Music: Dragons and Fireworks by Darren Curtis - https://www.darrencurtismusic.com Asian Graveyard by Darren Curtis - https://www.darrencurtismusic.com All The Tea In China by Shane Ivers - https://www.silvermansound.com Shenyang by Kevin MacLeod - https://www.incompetech.com Eastern Thought by Kevin MacLeod - https://www.incompetech.com Silver Flame by Kevin MacLeod - https://www.incompetech.com Opium by Kevin MacLeod - https://www.incompetech.com Crazy Glue by Josh Woodward - https://www.joshwoodward.com Sneaky Snooper by Jason Shaw - https://www.audionautix.com Great Unknown by Jason Shaw - https://www.audionautix.com