Teatros Históricos de Les Luthiers Parte I: Del Di Tella al Odeón - Episodio 073 de "LHDLN"

Introduction to "La Hora de la Nostalgia"

The podcast "La Hora de la Nostalgia" is introduced by Sebastián Padilla and his three friends, Lea Dequi, Sebastián Saravia, and Juan Vargas. They discuss the historical theaters in Buenos Aires.

The History of Instituto Di Tella

• The Instituto Di Tella was founded in 1958 on Florida Street and hosted talented individuals like Felipe Noé and Nacha Guevara.

• Known for fostering vanguard artists from 1961 to 1970, it was a hub for creativity with diverse art forms such as theater, music, and painting.

• Artists who started at Di Tella later became renowned figures in the art world due to its avant-garde environment.

Artistic Diversity at Instituto Di Tella

The diversity of artistic expressions at Instituto Di Tella contributed to a rich creative environment that nurtured emerging talents.

Vanguard Movements and Experimentalism

• Artists at Di Tella were experimental and diverse, including actors, visual artists, and audiovisual creators.

• Despite differences with other artist groups, friendships formed within the unique creative space of Di Tella.

Cultural Contrasts at Instituto Di Tella

A contrast emerges between the traditional norms of some attendees and the avant-garde nature of performances at Instituto Di Tella.

Social Dynamics and Artistic Expression

• Some groups embraced unconventional performances involving nudity, contrasting with more conservative attendees' reactions.

• Younger participants from rural areas found themselves immersed in a bohemian atmosphere that challenged their perceptions of artistry.

Evolution of Musicisti Group at Instituto Di Tella

The evolution of the Musicisti group showcases their journey through different performances at Instituto Di Tella.

Musical Productions and Collaborations

• Norman Brisky invited the group to participate in a show where they premiered "La Chacarera de las Píldoras," marking a significant moment for Musicisti.

• Following internal changes within Musicisti, Leleu debuted "Imilo" in November 1967 at Instituto Di Tella.

Theatrical Successes at Instituto Di Tella

Notable productions like "Blancanieves y los Siete Pecados Capitales" brought acclaim to performers associated with Instituto Di Tella.

Performance Highlights and Impact

Blancanieves and the Seven Deadly Sins

The discussion revolves around the theatrical production of "Blancanieves" (Snow White) and its connection to the seven deadly sins, as well as the historical context of the theater institute.

Blanca Nieves Production

• Blanca Nieves play featured seven scenes, each representing one of the seven deadly sins.

• José Luis Barberis played a significant role in the production, transitioning from a stagehand to an assistant over seven years.

Historical Context of Theater Institute

• Instituto Di Tella faced challenges due to political changes post a coup in 1966, leading to its closure in 1970.

• Instituto Di Tella was criticized by both left and right factions for being too influenced by foreign art.

Challenges and Performances

This section delves into the financial struggles and performances at Instituto Di Tella and Café Coner.

Financial Struggles

• Political pressures led to decreased funding for Instituto Di Tella, resulting in its closure in 1970.

Performance Logistics

• The group faced logistical challenges transporting instruments between venues without assistance.

• Detailed logistics of moving equipment between venues using two vehicles were discussed.

Café Coner Performances

Focuses on performances at Café Coner, including details about venue logistics and notable events.

Venue Logistics

• Challenges of transporting instruments between venues were overcome through teamwork and efficient organization.

Perfume Launch Event

Small and Improvised Theater Spaces

The discussion revolves around the early days of theater performances in small, improvised spaces without dressing rooms, where actors had to go on stage dressed as they arrived from home.

Challenges Faced in Early Theater Settings

• Actors had to enter scenes dressed as they came from home due to the lack of dressing rooms.

• Theatrical spaces like "La Cebolla" lacked amenities such as changing rooms and curtains, leading actors to wait their turn in dark areas or upstairs near a small bar.

Emergence of Café Concert Culture

The conversation delves into the transition towards café concert culture, initiated by an entrepreneur who observed activities in theater basements and explored the potential of establishing cafes with entertainment.

Evolution of Café Concert Culture

• Entrepreneur Lino Patalano ventured into investigating basement activities, leading to the creation of iconic cafes like "La Gallina Embarazada" and "El Gallo Cojo."

• Notable figures like Pinti Persi Vale Gía and Nora B. Gel Valentino contributed to shaping Buenos Aires' first café coner at Persi Vale's house in 1966.

Significance of Café Conerts

The significance and popularity of café concerts are discussed, highlighting how these venues became hubs for artistic expression and social interaction.

Cultural Impact of Café Concerts

• Café concerts gained fame for providing platforms where artists could freely express themselves amidst a growing trend towards hosting such events.

• These venues attracted diverse audiences ranging from underground artists to affluent individuals seeking entertainment, fostering a unique blend of artistic expression and societal engagement.

Social Dynamics at Café Concert Venues

Exploring the social dynamics within café concert settings, including audience demographics and interactions between artists and patrons.

Audience Composition at Café Concert Venues

• Despite being underground establishments, café concerts attracted a mix of high-income individuals and middle-class patrons eager to witness emerging artists' performances.

• "La Cebolla," one such venue, accommodated up to 240 spectators with an average attendance reaching 500 on peak days like Fridays and Saturdays.

Cultural Shift Towards Accessibility

Discussing how café concerts offered a more accessible cultural experience compared to traditional theaters, attracting a broader audience base.

Expansion of Audience Reach

• Unlike traditional theaters catering mainly to elite audiences, café concerts like "La Cebolla" welcomed both high-society members and middle-class individuals seeking affordable artistic experiences.

Theatrical History in Argentina

The discussion revolves around the historical significance of theaters in Argentina, focusing on Teatro Margarita X and its connection to the cultural landscape.

Teatro Margarita X

• Teatro Margarita X is the only remaining theater from the early Elu era, located within the Casal de Cataluña in the Santelmo neighborhood of Argentina. It was where a recital known as 72 took place in 1972.

• Named after the renowned Catalan actress Margarita X, this theater had a seating capacity of 487, which was later doubled.

• The recital 72 held at Teatro Margarita X featured Ernesto Archer who had permanently joined and played various instruments alongside piano. The repertoire included future classics like "El Volero de Mastropiero" and "La Voz An Nostra."

Musical Collaborations and Symphonic Performances

This section delves into collaborations between musical groups, symphonic performances, and the introduction of new orchestral works.

Musical Collaborations

• In August to December 1972, there were nearly 50 performances of Recital 72 at Teatro Margarita X. This period marked Ernesto Archer's definitive inclusion playing multiple instruments.

• Notably, during this time, new orchestral works such as "El Volero de Mastropiero," "La Voz An Nostra," and "El Concierto Monov" were premiered at these performances.

Orchestral Expansion and Performance Highlights

Explores the expansion of orchestral performances through collaborations between Ensamble Musical de Buenos Aires and Eltu group.

Orchestral Expansion

• In May 1972, Ensamble Musical de Buenos Aires proposed a joint symphonic performance with Eltu group. This collaboration aimed to combine their strengths into a symphony.

• Initially focused on performing "Concierto Groso A La Rustica," they expanded their repertoire by adding another symphonic piece - "Concierto Mokran y Orquesta Romántico."

Memorable Concert Experiences

Reflects on significant concert experiences including challenges faced during performances.

Concert Anecdotes

• A memorable performance occurred on November 6th, 1972 featuring four well-known pieces along with two newly added symphonic works conducted by Maestro Andrés Spiller.

• The pianist's challenging solo in "Concierto Deust" led to an amusing incident where he would perform acrobatics ending with falling off his seat post-performance.

Historical Evolution of Teatro Ópera

Traces the historical evolution of Teatro Ópera from its inception to modern-day adaptations.

Evolution of Teatro Ópera

• Established on May 25th, 1872 with an opera performance of IL Trovatore featuring gas lighting - a pioneering feature for that era.

Realization of the Last Season and Theater History

In this section, the speaker discusses the final season of a cast in 2019 and delves into the history of a theater.

Realization of the Last Season

• The last season of the cast was realized in 2019, but it is being referenced in the year 2023.

Theater History

• The theater La Salle, founded in 1932 by an actress who named it after herself, Ana, had a capacity of 498 seats.

Significance of Performances at Teatro La Salle

This section highlights the importance and impact of performances at Teatro La Salle.

Impactful Performances

• Between April and December of a certain year, there were 174 performances at Teatro La Salle.

• Recital 74 premiered on August 23, 1974, with 113 functions from August to December.

• The speaker emphasizes that their time at Lasle was crucial as they premiered a show each year for two consecutive years (73 and 74).

Innovative Concepts at Teatro Lasle

This part discusses innovative ideas implemented at Teatro Lasle during performances.

Innovative Approach

• The entrepreneur introduced a unique concept inspired by café concert ambiance by placing tables with whiskey bottles for audience members.

• Some spectators ended up intoxicated due to the free-flowing whiskey concept during shows.

Theatrical Memories and Closure

Reflecting on past theaters and their eventual closure.

Closure of Theaters

• Despite attempts to revive Teatro Lasle by companies like Movistar, it has remained closed for about 25 years.

In-depth Exploration of Theatres and Performances

In this section, the speaker delves into the rich history of theaters, performances, and personal experiences related to them.

Insights on Theatres and Performances

• The speaker reminisces about a theater that transformed from a small space to a grand building where various performances took place.

• Descriptions of the theater frequented by the speaker's family, blending folkloric and tango music, creating a vibrant atmosphere.

• Details about the beautiful theater with 860 seats, offering an intimate setting compared to larger venues like Coliseo Podestá in La Plata.

• Mention of another significant theater linked to impactful memories and representations for the speaker.

• Notable mention of Lelu's influence and representation in theaters, marking a significant date in 1971.

Collaboration with Fontana Rosa

This part focuses on collaboration with Fontana Rosa in writing plays and preparing for performances.

Collaboration Highlights

• Introduction of Fontana Rosa's collaboration with Lelu in writing plays, enhancing creativity and content quality.

• Discussion on the decision to premiere new works in Rosario before Buenos Aires, emphasizing refinement and preparation strategies.

• Importance of proximity to Fontana Rosa for rehearsals and adjustments before facing critical reviews in Buenos Aires.

Performance Preparation at Astengo Theatre

This segment highlights performance preparations at Astengo Theatre and interactions post-show.

Performance Preparation Insights

• Rehearsal routines at Astengo Theatre involving script revisions and practice sessions before showcasing plays elsewhere.

• Transitioning from Astengo Theatre to other venues while maintaining a strong connection with the location for future performances.

Exploring Theatrical Experiences

Delving into detailed experiences within theaters including notable features and encounters during performances.

Theater Exploration Details

• Description of Astengo Theatre's capacity, layout, historical artifacts like Gardel's guitars, creating an immersive experience for attendees.

New Section

In this section, the speakers discuss ways for the audience to engage with their content through social media and support their project.

Engaging with Social Media and Supporting the Project

• The speakers encourage viewers to subscribe to their Instagram for amazing photos related to the episodes. They mention their Instagram handle as @el nostalgia.

• Viewers are invited to support the project by buying them coffee through cafecito.app/barah deel nostalgia while they walk.

• There is a mention of exclusive materials available on patreon.com/barl hora de la nostalgia for subscribers, along with a reminder about purchasing official merchandise from horadenostalgia.com.

grande rayas y centol pera y caracoles también puede haber

The speaker mentions various seafood items, including "grande rayas," "centol," "pera," and "caracoles."

Seafood Items Mentioned

• Speaker lists seafood items such as grande rayas, centol, pera, and caracoles.

• Emphasis on the variety of seafood available.