Working on a Design Team – Building A Brand, Ep. 3

Working on a Design Team – Building A Brand, Ep. 3

Introduction and Background

In this section, the speaker introduces themselves as a brand strategy design consultancy based in Santa Monica, California. They discuss their experience in helping clients reach their customers through design.

Getting Started with Beer Packaging

  • The speaker mentions that this is their first time working on a beer or alcohol packaging project.
  • They introduce Blind, a brand strategy design consultancy based in Santa Monica since 1995.
  • Blind has used the power of design to help diverse clients stand out in the marketplace.

Series Overview

The speaker provides an overview of the series "Building a Brand" and explains that it will showcase the process of rebranding a company from start to finish.

Meet the Design Team

The primary design team members are introduced - Chun Min Chao and Emily Che. They bring unique design specialties and sensibilities to the table, which will help explore various design solutions for their client, Hamilton Family Brewery.

Understanding Hamilton Family Brewery

The speaker discusses the challenge of understanding the client's vision during the discovery session. Communication becomes crucial as they need to convey the client's ideas to designers effectively.

Creative Briefing

The creative brief is explained as a meeting where insights from the discovery session are shared with the internal team. Goals, challenges, user preferences, and brand attributes are discussed to provide clear creative parameters for designers.

Setting Design Parameters

By defining creative parameters in the creative brief meeting, designers receive a high-level overview of the project. This includes insights from the discovery session, goals, challenges, user preferences, and brand attributes.

Background on Tasting Room

Designers are provided with background information on the tasting room to better understand the setting in which the new brand will live. The tasting room has a unique vibe resembling a family garage and appeals to people who enjoy breweries.

User Perspective - Mother's Experience

A mother who frequents Hamilton Family Brewery during the day is interviewed. She highlights that it is family-friendly, dog-friendly, and provides a welcoming environment for socializing.

Look and Feel - Brand Attributes

The brand attributes highlighted by Hamilton Family Brewery are discussed. These include reliability, welcoming atmosphere, maker culture, charm, and adventure.

Reliability and Welcoming Atmosphere

Reliability refers to consistent quality in beer. The brewery aims to create a warm and welcoming environment without feeling expensive.

Maker Culture

Maker culture represents the DIY feel of handcrafted beers. It captures the idea of craftsmanship while avoiding being too masculine or feminine.

Charming and Adventurous

The brewery owner has a unique sense of humor and wants to convey wit and funniness through the brand. Charm is an important aspect that reflects his personality. Adventure represents their willingness to experiment with flavors.

Heritage as an Additional Attribute

Heritage is added as an additional brand attribute, emphasizing the importance of history to Hamilton Family Brewery.

The summary has been organized chronologically and follows the structure provided. Each section includes bullet points with concise descriptions of key points and insights. Timestamps have been included using the format for easy reference.

Marketing and Product Integrity

The beer company is concerned about maintaining product integrity despite being a relatively young company. Initial research on competitors and gathering references is important for the design process.

Research and Gathering References

  • Conduct initial research on competitors to understand what is already in the market.
  • Look for references that align with the client's focus on heritage and incorporate those into the design.

User Profiles

  • Identify two user profiles: Jessica, a soccer mom who wants to maintain her social life, and Kurt, an aspirational beer snob.
  • The challenge is to appeal to both user profiles effectively.

Design Inspirations

The designers present their inspirations to Matthew and Ben, focusing on elements like overlays, illustrations, type-heavy labels from different eras (50s, 60s, 70s), and color combinations.

Design Elements

  • Explore different eras for inspiration: 50s and 60s ads have similar illustration styles.
  • 70s beer cans have unique shapes and decorative flourishes.
  • Use of color can modernize traditional designs while still maintaining a retro feel.

Balancing Premium Look

  • Some premium-looking designs may not align with the desired welcoming and inclusive brand image.
  • Custom printed labels with personalized details can be appealing to beer enthusiasts like Kurt.

Design Direction

Emily receives feedback from Matthew and Ben regarding her design direction. They discuss narrowing down inspirations into a style scape format that combines ornate heritage elements with pops of color and utilitarian design aspects.

Style Scape Format

  • Transform scattered inspirations into a more focused style scape format.
  • Incorporate handmade elements, custom labels, and pops of color to modernize traditional designs.

Logo Design

  • The first phase of the project is to create a logo that fits with the packaging design.
  • Consider how the logos will look on the packaging and explore facets and resources for inspiration.

Design Vision

Saying presents his research findings, focusing on creating a well-designed product with a touch of modernity while still embracing heritage.

Design Approach

  • Balance heritage with modernity by creating a well-designed product that doesn't look dated.
  • Appeal to enthusiasts who appreciate physical objects through thoughtful design choices.

Design and Premium Feel

The speaker discusses the importance of creating a premium feel for users who want to be the first to try new things. They mention that the design should not just be ordinary, but rather have a premium and unique look.

Creating a Premium Feel

  • Users who want to be first on new products prefer a premium feel.
  • Design should not be ordinary, but rather evaluate and discuss unique ideas.
  • Consider the tactile feel of the product, such as texture on packaging.
  • Concerns about production issues with cold beverages and printing.

Modern Look and Matte Finish

The speaker talks about the importance of having a modern version of packaging. They also discuss the use of matte finish on paper, which gives it a porous texture.

Modern Packaging and Matte Finish

  • Importance of having a modern version of packaging.
  • Current designs lack finish on paper, giving it a matte texture.
  • Paper feels like cold press or textured paper.
  • Concerns about how sweating or exposure to warmer conditions may affect printing.

Unique Packaging Ideas

The speaker praises certain packaging designs for their uniqueness and utilitarian feel. They discuss the potential for replicating these designs easily.

Unique Packaging Ideas

  • Praise for an awesome beer carrier made from hand-carved wood.
  • Mention of DIY-looking yellow packaging with a utilitarian heritage feel.
  • Possibility of replicating interesting DIY packaging in large quantities without tape.
  • Emphasis on making packaging photogenic for beer enthusiasts.

Distinction in Packaging Design

The speaker suggests exploring different directions in packaging design. They mention separating label design from container and wrap design.

Distinction in Packaging Design

  • Suggestion to explore different directions in packaging design.
  • Separation of label design and container/wrap design.
  • Emphasis on finding interesting DIY-looking packaging.
  • Possibility of combining designs or keeping them separate.

Customer Profiles and Tone

The speaker discusses customer profiles and the tone of communication for two designers. They mention the importance of warm and welcoming communication for beer enthusiasts.

Customer Profiles and Tone

  • Discussion about broad user profile as beer enthusiasts who prefer breweries over bars.
  • Importance of warm and welcoming tone in communication.
  • Reference to historical background, colors, type uses, industry references, illustrations, etc.

Color Usage in Historical References

The speaker analyzes historical references with specific color usage. They discuss the contemporary interpretation of layering colors and textures.

Color Usage in Historical References

  • Analysis of historical references with specific color usage.
  • Mention of contemporary interpretation with layered colors and textures.
  • Personal opinion that some references feel far from heritage despite being from a specific time period.

Lack of Attraction to References

The speaker expresses their personal lack of attraction to the analyzed references. They mention others' opinions may differ.

Lack of Attraction to References

  • Personal lack of attraction to the analyzed references.
  • Mention that others in the room may have different opinions.
  • Uncertainty about whether these references align with desired aesthetics.

New Section

In this section, the speaker discusses the difference between the words "retro" and "heritage" and how they relate to a design project.

Retro vs Heritage

  • The speaker wanted to avoid using the word "retro" and preferred the term "heritage".
  • There is a nuance between retro and heritage, and they cannot be used interchangeably.
  • Retro, in the speaker's mind, implies something funky from the 50s or 60s.
  • The speaker wanted to incorporate a level of heritage while still bringing excitement and fun to the project.
  • The designer's initial interpretation of heritage resulted in ornate Victorian designs that didn't align with what was desired.
  • The speaker envisioned a 50s retro vibe that would be perfect for the project.

New Section

In this section, the speaker further explains their vision for incorporating heritage elements into the design project.

Balancing Heritage and Fun

  • The speaker felt that the designers' initial approach with ornate Victorian designs was wrong for Jessica and even Kurt.
  • They couldn't go all-out masculine but still wanted to maintain a level of history or heritage in the design.
  • The speaker wanted to bring excitement and fun to the table while incorporating elements of history.
  • They envisioned a 50s retro vibe that would be suitable for this particular project.

New Section

In this section, the speaker reflects on their initial perception of retro designs and explores potential directions for further exploration.

Surprising Elements

  • Initially, when hearing about retro designs, it seemed too funky and not aligned with brand aesthetics.
  • However, there were some surprising elements within those designs that caught their attention.
  • Despite reservations about certain aspects, the speaker acknowledges that there are some nice qualities to explore further.
  • The designers' execution of type lockups and crest elements is better in this set compared to the previous one.
  • The speaker responds positively to the crest design and suggests having a version with a crest incorporated.

New Section

In this section, the speaker discusses similarities between different design references and explores potential uses for certain elements.

Similarities and Potential Uses

  • The speaker notes that some designs share DNA with Emily's reference, particularly in terms of ornate details and negative space cuts.
  • These designs feel closest to the 450 Alaskan reference, which represents a Pacific Northwest vibe.
  • While some stamp-like elements may not work as logos, they could be used as interesting details for showcasing beer information like color and taste notes.

New Section

In this section, the speaker summarizes the progress made so far and outlines the next steps in the design process.

Moving Forward

  • Each team member has a strong direction to move forward with based on their preferences.
  • The designers will now create style escapes using multiple references to achieve the desired look and feel.
  • Style escapes are more refined versions of mood boards that provide an overview of what the brand looks and feels like.
  • This project presents an interesting challenge as no single reference perfectly matches what they want for Hamilton Family Brewery.
  • Feedback from Matthew and Ben will guide the designers in building their style escapes.
  • Minh and Emily will present their style escapes for approval in future episodes before final versions are presented to Josh and Kristen.
Video description

What is a creative brief? How do you clearly communicate ideas from the client to your team? How do you translate strategy into visuals? In episode 3 of Building a Brand, Ben and Matthew sit down with the design team at Blind to brief them on the project. The challenge here is trying to communicate what they learned in the discovery session, and how they might take the insights they've gathered and turn it into a visual brand. 📝 The main components of a creative brief include: - The client and project goals - Highlight the key insights from the discovery session - The design challenge - User profiles, and intended audience - Brand attributes - Creative parameters to work within - Assign tasks to each team member 🎬 Episode breakdown: 0:44 – Meet the Designers on the Project 1:26 – Briefing the design team on the strategy 1:54 – What is a Creative Brief? 2:22 – Insights about the tasting room 3:20 – What are the brand attributes and what do they mean? 7:07 – What is the designers' process? 8:41 – Communicating the user profiles and user needs 9:33 – Designer, Emily Xie, presents her ideas 13:05 – Art Director, Sang Chung, presents his ideas 18:15 – Designer, Minhye Cho, presents her ideas 21:00 – Matthew and Ben don't agree on the use of the word “Retro” 24:00 – the big challenges of this project 24:55 – On the next episode of Building a Brand – 🗣 Want to learn how to brief your team and manage your projects? Take our Practical Project Management Course: http://bit.ly/2Whe6yk 👉 Interested in brand strategy and the discovery process? Learn our process, CORE: http://bit.ly/30PwWzZ 💪 What are Stylescapes? Remove the guesswork. Focus on good work: http://bit.ly/2JJKhEM 👨‍💻 Need help with your first client meeting? Download our FREE 1st meeting Worksheet: http://bit.ly/2Wgy9Rd 🎧 Do you like the music? Check out the Epidemic Sound music libraries we used in this video through our affiliate link*: http://share.epidemicsound.com/thefutur – 🖥 Watch the entire Building a Brand series playlist here: http://bit.ly/BuildingABrandShow Follow us: @mrbenburns @matthewencina @thefuturishere https://blind.com/ Learn more about Hamilton Family Brewery: https://hamiltonfamilybrewery.com/ – A note on Stylescapes: The “Stylescape” (mood board) is the digital version of the old tear sheets in a client presentation. Because we are only using the work to educate and help our client understand the style it prefers, and then creating new and original works for the client once we understand this preferences in style, we are not recreating the already published works. Fair use under copyright law promotes freedom of expression by permitting the unlicensed use of copyright-protected works in certain circumstances. In our video, we are using the sample material for reference and an educational experience, a use different from the original purpose of the samples, to sell products and services. This is the type of use that is is permitted under copyright. #BuildingABrandShow #BrandStrategy #Discovery #TheFutur #MatthewEncina #MrBenBurns #BizOfDesign #CreativeBrief === 👉Subscribe: https://goo.gl/F2AEbk 👉See our Academy Channel: https://goo.gl/vB9zoP Want a deeper dive? Typography, Lettering, Sales & Marketing, Social Media and The Business of Design courses available here: https://goo.gl/bRt5qd 🎙 Futur Podcast: https://thefutur.com/podcast/ ✍️ Futur Blog: https://thefutur.com/blog/ — BOOKLIST – Essential Reading for Creative Professionals: https://bit.ly/biz-booklist Essential Design Books: https://bit.ly/futur-design-books Kits & Proposals: https://goo.gl/mSjuWQ Visit our website: https://www.thefutur.com FREE resources: https://goo.gl/Qh6gHr Mandarin (Chinese) Subtitles on UiiUii https://uiiiuiii.com/?s=the+futur — We love getting your letters. Send it here: The Futur c/o Chris Do 1702 Olympic Blvd. Santa Monica, CA 90404 USA — AFFILIATE LINKS* 🙏 Support The Futur by purchasing through our affiliate links: Amazon: http://bit.ly/thefuturishere Webflow: https://webflow.grsm.io/thefutur Retro Supply Co.: http://bit.ly/2GW8gzR Creative Market: https://goo.gl/g4jlTE Design Cuts: http://bit.ly/2GSsAR3 ✍️ Sharpen your skills by taking a course, using our affiliate links: Skillshare: https://goo.gl/YCo2uT School of Motion: http://bit.ly/futur-som Bring Your Own Laptop Tutorials: https://byol.me/thefutur *By making a purchase through any of our affiliate links, we receive a very small commission at no extra cost to you. This helps us on our mission to provide quality education to you. Thank you. — Host– Chris Do Content Director– Matthew Encina Cinematography– Aaron Szekely, Mark Contreras, Ricky Lucas, Stewart Schuster, Jona Garcia Editor– Stewart Schuster, Kevin Ramlal Social Team: Elle Money, Alex Burlui Futur Theme Music – Adam Sanborne http://www.adamsanborne.com Typefaces: Futura, DIN, Helvetica Neue, Calibre Futur theme song— Adam Sanborne