Voodoo: How D'Angelo Created a Masterpiece

Voodoo: How D'Angelo Created a Masterpiece

Exploring D'Angelo's "Voodoo": A Deep Dive

Introduction to "Voodoo"

  • The video begins by introducing D'Angelo's sophomore album, Voodoo, released on January 25, 2000. The focus will be on the music itself rather than commercial success or influence.
  • The discussion aims to explore how the album feels and why it has aged well over 25 years, with a track-by-track analysis planned.

Context of '90s R&B

  • The speaker emphasizes a love for '90s R&B but notes that it had become overly commercialized, often just featuring vocals over hip-hop beats.
  • D'Angelo and Questlove shared a passion for classic soul and R&B, which influenced their approach to music-making during this era.

Musical Influences and Production

  • There is an anecdote about how Questlove got D'Angelo's attention at the 1995 Source Awards, leading to years of collaboration at Electric Lady Studios.
  • Voodoo serves as a reaction against the polished sound typical of '90s R&B; both artists sought inspiration from legends like Marvin Gaye and Stevie Wonder.

Unique Sound Characteristics

  • D'Angelo aimed for an organic feel in his music; he even recorded using vintage equipment associated with these classic artists.
  • An example is given where the opening track "Playa" is manipulated through stem separation to illustrate how quantizing can strip away its natural feel.

Groove and Rhythm Exploration

  • The original version of "Playa" showcases an intentional looseness in rhythm—elements are not perfectly aligned, creating a unique groove.
  • This approach reflects Jay Dilla’s influence on the album; musicians were encouraged to play behind the beat intentionally for emotional depth.

Conceptualizing Feel in Music

  • The speaker discusses how traditional recording methods involved strict timing but Voodoo challenges this norm by exploring what happens when musicians play more freely together.
  • A metaphor involving a toy giraffe illustrates the difference between rigidly structured grooves versus looser ones that still maintain cohesion.

Further Analysis: "Devil's Pie"

Understanding D'Angelo's Musical Techniques

Looping and Instrumentation

  • The session begins with a focus on an orange track, looping the beginning several times before playing it through. This is part of a creative process shared with Patreon supporters.
  • Basic drum elements are introduced: kick, snare, and hi-hat, laying the foundation for the track alongside bass and sound effects.

Vocal Techniques in Hip-Hop

  • The discussion shifts to "Left and Right," featuring Q-Tip on vocal percussion. Method Man and Redman provide verses instead of Q-Tip due to initial dissatisfaction.
  • D'Angelo's vocals are noted for their complexity; they are often hard to understand, which is intentional as part of his artistic expression.

Lyrical Interpretation

  • The liner notes reference Saul Williams commenting on D'Angelo’s lyrics being difficult to decipher, likening them to "Bobby McFerrin on opium."
  • D'Angelo uses his voice as an instrument rather than focusing solely on lyrical clarity, emphasizing emotional delivery over explicit meaning.

Song Structure and Influences

  • "The Line" features a drum-and-bass loop with contributions from Raphael Saadiq on guitar, creating a groove that captivates listeners.
  • "Send It On" interpolates Kool & The Gang's "Sea of Tranquility," showcasing D'Angelo's unique reinterpretation while maintaining the original feel.

Collaborations and Key Players

  • Questlove plays a significant role in the album’s production; however, attention is drawn to bassist Pino Palladino who channels legendary influences like James Jamerson.
  • Palladino’s background includes collaborations with major artists prior to working with D’Angelo, highlighting his established reputation in music circles.

Musical Complexity in “Chicken Grease”

  • The song “Chicken Grease” draws influence from Marvin Gaye and Prince; its title reflects a specific chord style associated with Prince.
  • Counterpoint is discussed as a musical device present in both classical compositions (like Beethoven’s symphonies) and contemporary works like “Chicken Grease,” illustrating intricate musical interactions.

Production Credits and Contributions

  • In “One More Again,” credits reveal extensive involvement from D’Angelo across various instruments while acknowledging Questlove’s contribution through loops.

D'Angelo's Voodoo: The Influence of J Dilla and Collaborators

The Unique Production Style of J Dilla

  • Questlove and D'Angelo were heavily influenced by J Dilla's innovative production techniques, particularly his unconventional approach to time feel and quantization on the MPC.
  • During the recording sessions for Voodoo, notable artists like Common and Erykah Badu collaborated, sharing songs back and forth, showcasing a communal creative process.
  • Although J Dilla's contributions were significant, he was not credited on the album; his influence is evident throughout, especially in the first track which reflects his unique time feel.

Key Collaborators in Voodoo

  • Charlie Hunter, a guitarist admired by D'Angelo, played a crucial role in shaping the sound of Voodoo. His performance style involved playing both bass and guitar simultaneously.
  • There is some confusion regarding Hunter’s instrument; while he is credited with both bass and guitar, it was initially believed he used an eight-string guitar during recordings.

Recording Techniques and Live Sessions

  • A video featuring Charlie Hunter reveals his technique for achieving dual roles on guitar. He utilized a six-string guitar tuned differently from what was used in Voodoo.
  • Most tracks on Voodoo were recorded live with minimal quantization—approximately 85% of the album captures spontaneous performances rather than polished studio edits.

Exploring Musical Norms

  • Throughout Voodoo, D'Angelo challenges conventional music structures by loosening up arrangements and emphasizing groove over strict lyrical forms.
  • The song "Untitled" stands out as a pivotal piece that defies musical norms. Co-written with Raphael Saadiq, it exemplifies D'Angelo's focus on feeling over traditional songwriting rules.

Collaborative Creation Process

Understanding the Closing of D'Angelo's Album

The Significance of the Final Track

  • The album concludes with a beautiful song that explores themes of home, history, God, Africa, and the world.
  • Questlove incorporates a drum groove from Prince's "I Wonder," highlighting Prince's influence on this work.
  • D'Angelo’s vocals are described as incredible, contributing to the track being deemed a perfect album closer.

The Role of Language and Expectations in Music

  • Words serve as effective communication tools; however, they come with expectations that can hinder genuine experiences.
  • Examples include preconceived notions about musical instruments (e.g., bass guitars should have four or five strings).

Experiencing Music Without Labels

  • Babies experience life without words or expectations, allowing for pure engagement with their surroundings—this concept is applied to music appreciation.
  • D'Angelo’s album defies conventional structures: many songs exceed six minutes and feature loose grooves and unclear lyrics.

Art as Emotional Transmission

  • A quote from Leo Tolstoy emphasizes that art conveys feelings rather than just ideas or polished compositions.
  • "Voodoo" exemplifies this idea by focusing on emotional expression over lyrical clarity or traditional song structure.

Lasting Impact of "Voodoo"

Video description

If we played "Desert Island Albums" and I could only pick 10 records to listen to for the rest of my life, D'Angelo's "Voodoo" would absolutely be on the list for me. In fact, even if you made it 5 records, I'd probably still pick it. Voodoo is 25 years old now, so I had to break down everything that's so incredible about this album and why I love it so much. _________________________________ Watch the Extended Edit (8 mins longer) and support the channel by becoming a Patreon Member: http://www.patreon.com/diggingthegreats _________________________________ Special thanks to Mason Marangella at Vertex Effects for sending me the video of Charlie Hunter to include. Check out the full interview here: https://www.youtube.com/watch?v=O4ytLiEHuk0&t=1093s __________________________________ FOLLOW DIGGING THE GREATS https://www.instagram.com/diggingthegreats/ http://www.patreon.com/diggingthegreats Digging The Greats Podcast - https://podcasts.apple.com/us/podcast/digging-the-greats/id1694172577 Interview Channel - @DiggingTheTalks __________________________________ THANK YOU TO THE MEMBERS OF THE EXECUTIVE PRODUCER TIER ON PATREON Sam Deka Josh Nelson D. Andre __________________________________ SOURCES The documentary "Devil's Pie": https://www.bilibili.com/video/BV1mZ4y117Ef/ D'Angelo's Red Bull Interview: https://www.redbullmusicacademy.com/lectures/dangelo Questlove's Okayplayer post: https://web.archive.org/web/20080430011914/http://www.okayplayer.com/theroots/viewreview.jsp?rid=6 Questlove Interview with Rick Rubin: https://www.youtube.com/watch?v=2m-oXnRPjEs&t=639s Questlove says the Curtis Mayfield song “Mother’s Son” is a template for 70% for his drumming on voodoo: https://www.youtube.com/watch?v=sAj25O3J4eo Pino Palladino on Questlove's Podcast: https://www.youtube.com/watch?v=k0Qe2yada_w&t=2560s Russell Elevado's Red Bull Interview: https://www.youtube.com/watch?v=a3qg1-VZUik __________________________________ CHAPTERS 00:00 Intro 01:00 90s R&B (No. 3 Oh No No) 02:51 I do something unforgiveable 03:38 Playa Playa 04:38 our giraffe friend is chillin 05:39 a question 06:05 Devil's Pie 07:48 Left and Right 08:18 Bobby McFerrin on opium 09:36 The Line 09:56 Send It On into the Sea of Tranquility 10:24 the welshman who could groove 11:49 Beethoven's Chicken Grease 13:22 One Mo'Gin 14:00 aaaand drink! 15:41 8 String Guitar (The Root) 17:41 Spanish Joint 18:36 Feel Like Makin' Love 19:04 windows media player visualizer 19:16 The Dragon 19:47 Great Day / Booty 20:32 The Crux of the Album 21:04 non-spanish joint 22:01 Africa 22:31 time to get weird (drink again) #dangelo #musichistory #neosoul