Heavenly Bodies: Fashion and the Catholic Imagination Gallery Views
Heavenly Bodies: Fashion in the Catholic Imagination
Overview of the Exhibition
- The exhibition titled "Heavenly Bodies: Fashion in the Catholic Imagination" is the largest undertaken by the Costume Institute, spanning two sites: the Met 4th Avenue and the Met Cloisters.
- It aims to explore relationships between fashion and religious artworks within the Metropolitan Museum of Art, designed almost like a procession.
Byzantine Galleries
- Visitors are first introduced to Byzantine galleries, showcasing designers inspired by Byzantine church interiors. Gianni Versace's last collection from 1997 features dresses inspired by a crucifix from the museum.
- The dresses reflect chainmail aesthetics akin to micro mosaics found in Ravenna Cathedral, transitioning into evening gowns and wedding dresses adorned with crucifixes.
- A section highlights Hisashi's work influenced by specific icons from Ravenna Cathedral, emphasizing intricate designs that mirror religious art.
Medieval Europe Gallery
- Moving into medieval Europe galleries, garments created for representations of Madonna and Child are displayed, including works by Celeron and Titian for local churches in Puglia.
- The layout mimics traditional church architecture with a nave and choir screen separating earthly from celestial hierarchies; clergy attire is showcased here as well.
Choir Robes and Iconic Designs
- Notable pieces include 21 choral robes designed by Balenciaga for a choir in San Sebastian, originally designed in 1945 but reimagined later on due to contributions from women working in his studio.
- Thierry Mugler’s collection features an angel-inspired dress with expansive gold wings symbolizing divine themes within fashion design.
Treasury and Celestial Hierarchy
- In the Treasury section, pieces relate directly to saints' iconography; notable items include rose rubies representing Gothic excellence as visitors transition into celestial hierarchy themes through various designers’ works.
- Christian Lacroix’s wedding dress draws inspiration from Madonna processions while other American designers create dresses reflecting Frangelico frescoes at San Marco, culminating in unique color developments like "long van blue."