Doit-on mettre d'abord une EQ ou une COMPRESSION quand on mix ?

Doit-on mettre d'abord une EQ ou une COMPRESSION quand on mix ?

Understanding the Order of Plugins in Mixing

The discussion revolves around the importance of the order of plugins when mixing, specifically focusing on whether to start with EQ or compression.

Historical Perspective on Plugin Order

  • Historically, working with analog tables involved a set order: preamp/microphone input, insert point for external elements like compression, and then equalization.
  • Analog setups often had limited options for plugin order due to hardware constraints.

Importance of Dynamics Control

  • Using a compressor first aimed to control dynamics before entering EQ stages, ensuring controlled volume levels and minimal coloration.
  • Initial use of a compressor was primarily for volume control and maintaining consistent dynamics within the signal flow.

Transition to Digital Workflows

  • Transitioning to DAW environments allowed more flexibility in plugin order selection, leading to varied approaches based on individual preferences.

Understanding Compression and EQ in Audio Production

In this section, the speaker discusses the concepts of compression and EQ in audio production, highlighting their importance and when to use them.

Compression First Approach

  • Historically, the standard approach was to apply compression first and then EQ.
  • Elements recorded acoustically like vocals, guitars, and percussion often require compression and EQ to control dynamics before mixing.
  • This method is used for transparent processing to control signal dynamics before adding color or movement.

Importance of Compression

  • Compression is crucial for controlling dynamic range in signals like acoustic guitars or vocals with large volume differences.
  • Compressors are used to manage signal dynamics before applying EQ for blending elements into a mix efficiently.

Potential Issues with Compression First

  • Starting with compression may lead to unwanted compressor reactions on acoustic elements like vocals if not cleaned properly beforehand.
  • It's essential to address any issues that arise from compressing raw acoustic recordings before proceeding with further processing.

Using EQ Before Compression for Sound Control

This part delves into the strategy of employing EQ before compression in audio production for more drastic sound control.

Pre-EQ Strategy

  • Using EQ before compression is ideal when needing significant sound adjustments, especially in managing frequency imbalances.
  • By removing unwanted frequencies first, such as excessive bass, you can ensure better compressor response without affecting desired sound characteristics.

Subtractive EQ Approach

  • The pre-EQ step involves identifying and removing problematic frequencies that hinder desired sound movement or response from subsequent compression.
  • Employing subtractive EQ helps rebalance frequencies effectively before utilizing compression as a tool for shaping sound dynamics.

Enhanced Sound Management

  • Pre-EQ transforms the role of a compressor from simple dynamic control to actively shaping sound movement within a mix.

Understanding Audio Processing Techniques

In this section, the speaker discusses the importance of using compression in audio processing to control sound quality and volume effectively.

Importance of Compression in Audio Processing

  • Compression allows for greater control over sound quality and volume, enhancing the overall mix.
  • It is crucial to consider that adjusting equalization after compression can alter compressor settings, requiring attention to maintain consistency.
  • Some prefer using EQ before compression to ensure the compressor compensates for certain elements even after subsequent EQ adjustments.
  • Different approaches exist regarding the order of EQ and compression application, emphasizing the need to understand individual preferences and goals.

Analyzing Sound for Mixing

This part focuses on evaluating sound elements before mixing and determining appropriate processing techniques based on specific needs.

Evaluating Sound Elements

  • Assessing whether a sound is ready for mixing or requires treatment is essential before applying any processing techniques.
  • Determining if minor adjustments like light compression or EQ are sufficient or if more drastic measures are needed based on identified issues.
  • Addressing significant problems in a sound requires strategic use of plugins such as compressors post-EQ adjustments for effective control.

Optimizing Processing for Recorded vs. Virtual Instruments

Contrasting processing requirements between recorded and virtual instruments to optimize audio quality during mixing.

Processing Recorded vs. Virtual Instruments

  • Balancing raw recorded elements with virtual instruments necessitates different levels of processing to achieve desired results.
  • Raw recordings often require more extensive treatment like compression to maintain natural yet prominent vocals within the mix.

Detailed Explanation of Compression Techniques

In this section, the speaker discusses compression techniques in music production, focusing on electronic drums and virtual instruments.

Understanding Compression

  • The speaker mentions using a gentle compression on electronic drums to enhance specific frequency ranges within a mix.
  • It is suggested that while multiple compressors can be used in succession, it is crucial to comprehend the purpose behind each one.

Future Insights and Videos

  • The speaker hints at creating a future video explaining advanced plugin usage in 2024 and invites viewers to express interest for such content.
Video description

🎁 Pour les petits cadeaux AGS (une liste de plugins gratuits, un guide d'achat et un tableau des frĂ©quences clĂ© dans le son) : https://www.academiedugrosson.com/bonus 💌 Pour nos cours spĂ©cifiques sur le mixage, l'enregistrement et la production : https://www.academiedugrosson.com/cours 🛍 Si tu veux AIDER notre chaĂźne, tu peux utiliser notre lien affiliĂ© Thomann et voir tout le matĂ©riel qu'on conseille dans notre guide d'achat : https://www.thomann.de/be/thlpg_wofhjr3zma.html L'ordre des plugins en mix est une question que l’on se pose naturellement et qu'on nous pose trĂšs souvent. En dĂ©butant, pas toujours facile de savoir que faire. Le plus gros dilemme se pose en gĂ©nĂ©ral entre EQ et compression. Lequel doit-on mettre en premier ? Évidemment les deux peuvent fonctionner, mais l’approche et le but varient un peu (comme toujours en production). Voici notre avis sur le sujet pour vous aider Ă  aborder votre prochain mix. VidĂ©os liĂ©es Ă  cette vidĂ©o : Apprendre la compression en ENTENDANT la compression https://youtu.be/t0VMwo1til4 Les EQ : Quand, pourquoi et surtout lequel ? en BONUS : le schĂ©ma pour ne jamais se tromper https://youtu.be/N3rX-revudw Équaliser un son (EQ), vaut mieux AJOUTER ou ENLEVER ? Le secret pour un son qui te ressemble https://youtu.be/ZqyM4ovMd6A Équaliser un son (EQ), vaut mieux AJOUTER ou ENLEVER ? Le secret pour un son qui te ressemble Johann Meyer : IngĂ© son live, producteur et mixeur de GOJIRA (au Silver Cord Studio @ NY) J'ai fait longtemps sans, j'avais tort! (Automation) https://youtu.be/ToHwjMBYEk0 Comment utiliser vos plugins SSL. Tout savoir sur les Ă©mulations de ces tranches lĂ©gendaires. https://youtu.be/eCZwVK-AQQQ 00:00 - Start 02:17 - Historique de la chose 05:41 - Option 1 : Compression puis EQ 08:11 - Option 2 : EQ puis compression 11:23 - Comment choisir l'un ou l'autre ?