Behringer WING COMPACT & RACK A FONDO 🎛👍 (CLÍNIC DE MEZCLADORES EN ESPAÑOL) 🔥🎧

Introduction to Future Music Media and New Mixing Consoles

Overview of the Event

• The event welcomes attendees to a new edition of Future Music Media, focusing on exciting new mixing consoles that have generated significant interest in recent months.

• Ángel Vidal, a product specialist from Behringer, is introduced as a key speaker who traveled specifically for this occasion.

• Roque Molina, another product specialist, outlines the plan for a hands-on demonstration of the mixing consoles.

Purpose of the Demonstration

• Attendees are encouraged to ask questions during the presentation, which will last approximately 45 minutes to an hour.

• The goal is to provide detailed insights into whether these products meet various needs such as recording studios or live performance setups.

Significance of the Wing Console

Historical Context

• Ángel highlights that the Wing console could be as transformative as Behringer's X32 was 12 years ago, marking a shift from analog to digital technology.

• The X32 has been one of the best-selling mixers in history and represented a paradigm shift in affordable digital mixing solutions.

Development Team

• The same team responsible for developing the X32 also created the Wing console, ensuring continuity in design philosophy and quality.

Design Features and Variants

Aesthetic Changes

• The original Wing was larger and had a lighter color; feedback led to a darker design for better durability and discretion during performances.

Model Comparisons

• Three models are discussed: large (Wing Black), compact (Wing Compact), and rack-mounted (Wing Rack), all sharing similar processing capabilities but differing in physical form factors.

Technical Specifications

Input/Output Capabilities

• The Wing Black features eight preamps while both Compact and Rack versions include 24 preamps integrated into their designs.

Stage Box Integration

• Discussion on stage boxes emphasizes their role in connecting microphones directly at venues with minimal noise interference compared to traditional analog snakes.

User Scenarios

Target Audience

• The new models cater to users needing fewer preamps or those without existing stage box infrastructure while still providing robust functionality for various settings like rentals or small events.

Advantages of Digital Over Analog

Signal Management

• Transitioning from analog systems reduces susceptibility to noise; digital connections simplify setup with less cabling required.

Practical Applications

Setup Flexibility

• Users can operate multiple configurations using remote control options or dedicated monitoring setups depending on venue requirements.

User Interface Enhancements

Touchscreen Functionality

• All three models feature touchscreens that allow intuitive operation akin to traditional control surfaces while maintaining portability.

Connectivity Options

Digital Inputs/Outputs

• Each model includes multiple AS50 ports allowing extensive connectivity options for audio routing across different devices.

Headphone Outputs

Enhanced Audio Quality

• All headphone outputs are designed with high-power amplifiers capable of driving various types of headphones effectively without distortion issues.

Preamplifier Technology

Discrete Circuitry Benefits

• Discussion about discrete circuitry highlights its advantages over integrated circuits regarding noise floor reduction while maintaining sound quality across all models.

Understanding Phantom Power and Channel Assignments

Key Concepts of Channel Configuration

• Phantom power can invert polarity, which is a specific parameter for certain sound systems (SS). This relates to how channels are assigned in the console.

• The system supports both mono and stereo sources, allowing flexibility in channel assignments. For instance, 48 channels can be utilized with stereo buses and matrices.

• Traditional setups often required two channels for stereo instruments like drums; however, modern configurations allow handling multiple inputs more efficiently.

• Channels can be grouped as stereo sources, enabling control over two microphones with a single fader, simplifying the mixing process.

• The reduction of usable channels due to stereo grouping highlights the importance of efficient channel management in larger setups.

Advancements in Stereo Mixing Capabilities

Enhancements in Output Management

• With 48 channels capable of being stereo, this allows for complex monitoring needs without exhausting available outputs quickly.

• The ability to assign all output buses as stereo represents a significant advancement in sound mixing technology that enhances user experience.

• As more stereo sources are added, the effective number of available channels decreases rapidly; understanding this is crucial for sound engineers.

• Effects processors typically require additional inputs; thus, managing these effectively within the console's capabilities is essential for optimal performance.

• Learning how to patch signals correctly requires time but is vital for achieving desired routing outcomes during live performances.

Streamlining Signal Routing and Channel Management

Practical Applications of Source Assignment

• Assigning alternative input sources to each channel provides redundancy and flexibility during live events or recordings.

• Each channel can have primary and alternative source assignments, enhancing reliability by allowing quick switching if issues arise with primary inputs.

• This dual-source capability mirrors traditional inline consoles where separate paths exist for different signal flows (e.g., preamp vs. playback).

• In case of microphone failure during a performance, an alternative mic can be activated seamlessly without interrupting the show flow.

• Utilizing alternate inputs also aids in multi-track recording scenarios where immediate playback is necessary after recording.

Advanced Processing Features on Modern Consoles

Flexibility in Signal Processing

• The console allows automatic switching between primary and alternative sources across multiple channels simultaneously with minimal effort from the operator.

• Outputs can be routed flexibly without consuming additional channels on the console itself—this feature optimizes resource usage significantly during performances or recordings.

• Users can send any input signal to any output channel easily while maintaining clarity on what each output represents within their setup configuration.

• Various groups of outputs (local analog outputs or auxiliary sends), including digital connections like USB or stage connect options, enhance versatility further.

• Configuring mixes specifically tailored for musicians' monitors ensures that each performer receives an appropriate audio mix suited to their needs.

Input Processing Options Available

Customization Through Input Slots

• Each input channel features slots that allow users to add various processing effects such as filters or equalizers tailored specifically per instrument type.

• High-pass/low-pass filters enable quick adjustments based on frequency response requirements while ensuring clarity across all audio elements present.

• Emulations of classic processors provide users access to renowned sounds without needing physical units—this saves space while expanding creative possibilities.

• Multiple emulation options ensure diverse sonic characteristics are achievable through simple interface interactions rather than complicated hardware setups.

• A combination noise gate/compressor slot simplifies workflow by reducing processing points needed while still delivering high-quality results expected from professional gear.

Dynamic Control Over Audio Signals

Managing Dynamics Effectively

• Users have access to numerous dynamic processing tools including compressors/expanders which help shape overall sound quality throughout performances effectively.

• Points of insertion allow external effects units integration into individual channels providing even greater customization potential when shaping final mixes delivered live or recorded sessions alike.

• Visual feedback mechanisms indicate whether dynamics processors are active aiding operators’ decision-making processes regarding adjustments made during shows/events directly impacting audience experience positively.

• Four main outputs facilitate independent control over different aspects such as front-of-house versus monitor mixes ensuring optimal listening experiences tailored accordingly based upon venue requirements/preferences expressed by performers themselves!

• Rearranging signal flow within each channel strip offers unprecedented levels customization empowering engineers/artists alike achieve desired tonal qualities effortlessly!

Flexible Bus Configurations

Versatile Bus Routing Options

• Each bus may be configured differently depending upon intended use cases ranging from groupings/subgroups designed manage large ensembles down smaller dedicated feeds meant solely support specific instruments/vocals respectively!

• Sending signals via tap points enables selective monitoring choices allowing engineers isolate particular elements without affecting overall mix heard by audience members present at event location!

• Independent control over four distinct buses permits simultaneous creation unique blends catering towards varying listener preferences ensuring satisfaction across board regardless genre/style performed!

• Adjustments made post-fader maintain consistency throughout entire performance preventing sudden volume changes disrupting flow experienced previously encountered situations leading up until now!

Understanding the Main Control and Bus Selection

Main Control Functionality

• The main control fader operates when no buttons are selected, allowing control over the Main 1 output.

• Selecting a bus activates the "sense on fader" mode, enabling control of what is sent to that specific bus.

Monitoring Setup for Musicians

• To create a monitoring mix for a drummer, select Bus 1 and adjust levels accordingly to ensure they hear their desired instruments.

• Unmuting channels allows sending signals (e.g., guitar) to Bus 1, which represents what the drummer will hear in their monitor mix.

Customizing Monitor Mixes for Different Musicians

Adjusting Levels for Individual Instruments

• Each musician can request different levels; adjustments can be made independently from the main output mix.

• For example, if a bassist wants more kick drum in their mix, it can be added without affecting other musicians' mixes.

Using Spill Mode for Efficient Mixing

• The spill mode groups channels being sent to a bus together, simplifying adjustments by displaying only relevant channels.

Effects Processing and Routing Options

Adding Effects to Buses

• When adding effects like reverb to a bus, ensure it's set as post-fader so that changes in volume affect the effect level appropriately.

Managing Multiple Effects Slots

• There are various effects available across multiple slots; some require more processing power than others based on complexity.

Snapshot Management and Scene Creation

Utilizing Snapshots for Quick Changes

• Snapshots allow capturing all console parameters at once or selectively saving modified settings during live performances.

Organizing Shows with Scenes

• Each scene can include snapshots or channel presets that facilitate quick transitions between different setups during events.

Addressing Common Questions About Equipment

Clarifying Product Specifications

• Discussions about whether new products replace older models highlight differences in flexibility and capabilities among mixers like Wing and X32.

Technical Comparisons Between Models

• The same preamps are used across different models; however, measurement standards may vary leading to perceived differences in specifications.

Introduction to Stage Connect

Overview of Stage Connect Features

• Stage Connect is an XLR connector that can transmit 32 channels of audio at 24 bits and either 44.1 kHz or 48 kHz.

• It allows for flexible configurations, such as two sends and thirty returns, or any combination like sixteen sends and sixteen returns through a single standard XLR cable.

• The protocol is designed to be economical and user-friendly, making it accessible for various venues.

User Requested Features

Gain Control Adjustments

• Users have requested the ability to change the control from level to gain on associated channels, which will be implemented in future updates.

• Current gain adjustments can be made using physical knobs instead of relying solely on touchscreen controls.

Comparison with Other Products

Options in Audio Mixing Consoles

• Discussion includes comparisons between different Behringer products like the XT2 and Ex Touch, emphasizing their specific functionalities.

• The Wing console has advantages such as functioning as an MCU (MIDI Control Unit), allowing for more extensive physical control options.

Bus Configuration Flexibility

Configuring Audio Buses

• Users can configure multiple channels to send audio signals to a single bus with varying settings (e.g., pre-fader or post-fader).

• Each channel can have its own unique configuration when sending signals to the same bus, providing significant flexibility in audio routing.

Auxiliary Sends and Effects Processing

Using Auxiliary Sends

• Explanation of how auxiliary sends work, including sending signals to external processors via insert points.

• Users can select whether they want mono or stereo processing for effects sent out from individual channels.

Snapshot Functionality

Saving Settings

• Snapshots allow users to save all parameters related to their current setup, enabling quick recalls during live performances.

• Customization options are available when saving snapshots; users can choose what elements (like filters or tags) they want included in each snapshot.

Recording Capabilities

Multi-channel Recording

• The console supports recording up to 64 channels onto SD cards with options for selecting inputs before processing.

• USB outputs also allow recording capabilities with similar flexibility regarding channel selection and processing preferences.

Integration with External Equipment

Connecting Vinyl Turntables

• Discussion about connecting vinyl turntables through equalizers; it's feasible but requires additional equipment like phono-to-line converters.

Customization Options

Personalizing Console Settings

• The console features extensive customization options including screen brightness, button illumination, and spectrum analyzers per channel.

Discussion on Dual Effects in Audio Mixing

Complexity of Stereo Effects

• The X32 series lacks dual effects due to its stereo nature, complicating the routing of mono channels to stereo effects.

• A workaround involves creating user signals that capture left and right channel copies for separate processing before sending them to a different main output.

Processing Options

• Each channel offers various processing options, reducing the need for dual effects; specific scenarios may still require them.

• The console can control external devices through programming, with existing drivers and presets available for setup.

Home Studio Applications

Functionality as a DAW

• While not a full DAW, the console allows recording and playback but lacks MIDI sequencing capabilities.

• It is ideal for home studios if combined with other tools, offering significant advantages over older setups.

Limitations in Electronic Music Mixing

• There are no notable weaknesses in electronic music mixing; it serves as an extension of previous studio setups.

Controller Compatibility and Pricing

Hardware Compatibility

• The console's compatibility with hardware controllers raises questions about cost-effectiveness compared to existing systems.

Price Considerations

• Users should evaluate whether investing in additional hardware like X-Touch makes sense based on their current setup.

Learning Curve and Usability

Intuitive Design

• Basic operation is intuitive; however, complex routing may require more knowledge as projects become intricate.

Time Investment for Mastery

• Initial learning takes around 8 hours; understanding advanced features requires reading the manual but basic use is accessible.

Presets and Signal Routing

Importance of Presets

• Creating presets saves time when working with consistent configurations across multiple sessions or bands.

Understanding Signal Flow

• Grasping signal routing concepts is crucial for effective use; users must connect sources correctly to achieve desired outputs.

Advanced Features and User Experience

Flexibility in Routing

• The console allows flexible signal routing which enhances creative possibilities during mixing sessions.

Comparison with Other Consoles

• Compared to other models like XR18, this console offers a more intuitive interface for managing inputs and outputs effectively.

Stage Box Capabilities

Use as Stage Box

• XR18 does not function as a stage box without additional converters; it's designed primarily for standalone use rather than integration into larger systems.

Automix Functions

Automix Features

The console includes automix functions that maintain consistent levels across multiple open microphones without manual adjustments.

Independent Sends

• Two independent sends can be configured: one for PA output and another for monitors, though limitations exist regarding EQ settings.

Editing Capabilities

• Limited audio editing features are available such as adding markers but do not extend beyond basic functionalities typical of dedicated DAWs.

Impressive Technological Advancements in Music Production

Overview of New Music Production Tools

• Discussion on the potential of new music production tools, highlighting their ability to create high-quality recordings that were previously unattainable.

• Mention of a website, Futur Music, which offers various content related to music consoles and production equipment.

• Introduction of a product referred to as "Roque Ob," noted for its impressive design and functionality.

Acknowledgments and Personal Connections

• Expression of gratitude towards Roque, a long-time friend and collaborator in the industry, emphasizing shared experiences over the years.

• Recognition of Ángel's contribution from Germany, showcasing professionalism and expertise in presenting the product.

Live Interaction Challenges

• Commentary on the challenges faced during live presentations, including unexpected questions from the audience that can catch presenters off guard.

• Reflection on initial nerves experienced during live sessions but noting improvement as the presentation progresses.

Resources for Further Learning

• Encouragement to explore additional content available on Futur Music’s platform, including downloads and informative articles about products.

• Invitation for audience members to share their music via social media channels for feedback and support.