Formación en el sector audiovisual: pitching, branded content y localización - DÍA 1

Formación en el sector audiovisual: pitching, branded content y localización - DÍA 1

Welcome to the Professional Specialization Program

Introduction and Purpose

  • The Buenos Aires Film Commission welcomes participants to a new professional specialization program in audiovisual sector training.
  • Acknowledgment of diverse attendees from various regions, emphasizing the goal of strengthening industry professionalism through training and international exchanges.

Key Themes of the Program

  • The program will focus on three key areas: pitching and presentations, brand content, and location scouting.
  • Notable guests with extensive experience will share insights over three days, with opportunities for audience questions after each presentation.

Importance of Participation

Engagement and Resources

  • Participants who complete attendance forms will receive diplomas as recognition for their involvement.
  • Recordings of the sessions will be available on YouTube for later viewing, allowing participants to revisit past discussions.

Introduction of Gloria Salón

Speaker Background

  • Gloria Salón is introduced as a seasoned expert in production consulting with a doctorate in audiovisual communication.
  • She has contributed to multiple books on the audiovisual sector and held significant roles in television networks and production companies.

The Art of Pitching

Overview of Pitching Essentials

  • Gloria emphasizes the importance of pitching ideas effectively to bring them to screen; it serves as an introduction to presenting concepts succinctly.

Understanding the Pitch Structure

  • GECA provides comprehensive tools that support various stakeholders within the audiovisual industry, including market research reports.

The Iceberg Analogy

  • The pitch represents only 10% (the visible part), while 90% (the underlying development or "Bible") is crucial for successful storytelling.

Crafting Your Message

  • A well-developed pitch requires thorough preparation; understanding your project deeply allows you to present it compellingly.

Presentation Strategies in Pitching

The Importance of Company Representation

  • A producer must present their company effectively, as it shapes the image of the business behind the project.
  • Even small production companies need to project their identity while pitching, emphasizing their unique qualities.

Crafting a Persuasive Pitch

  • The essence of a pitch lies in persuasion; it's crucial to capture attention amidst a crowded media landscape.
  • Passion for the project is vital; engaging the audience and making them feel involved enhances interest.

Differentiation and Memorability

  • Presentations should highlight differentiating factors that make a project memorable to potential investors or audiences.
  • Techniques like impactful phrases, striking images, or thought-provoking questions can help implant lasting memories about the project.

Engaging Your Audience

  • Tailor your approach based on the type of content: invite participation for competitions or evoke emotions for reality shows.
  • For fiction series, aim to inspire dreams and transport listeners into imaginative journeys through storytelling.

Various Presentation Formats

  • Pitches can occur in multiple formats: face-to-face meetings, video pitches for events, or quick elevator pitches.
  • Elevator pitches require concise delivery (30 seconds to 1 minute), often happening in casual settings like networking events.

Understanding What a Pitch Is

  • A pitch is not merely about presenting a finished series but serves as an opportunity to convert ideas into audiovisual productions.
  • Effective pitches should be brief, clear, and persuasive—moving from general concepts to specific details that resonate with listeners.

Utilizing Universal References

  • Incorporate universal references rather than local ones to avoid lengthy explanations and enhance relatability across diverse audiences.

Networking Through Pitches

  • Pitches facilitate connections that may lead to future opportunities even if immediate results are not achieved.
  • They serve as gateways for funding and collaboration with co-producers essential for bringing projects to fruition.

Understanding International Co-Productions and Pitching in Audiovisual Industry

The Role of Distributors in Production

  • Distributors have evolved into key players, often acting as new commissioners by supporting productions through distribution efforts.

Types of Content for Pitching

  • A wide variety of audiovisual content can be pitched today, including fiction series, feature films, short films, documentaries, docuseries, and animated works. The diversity of screens available has broadened the scope for content creation.

Events for Pitching Projects

  • Numerous events exist for pitching projects such as project labs, creative residencies, competitions organized by various organizations, and film festivals that now include pitches alongside traditional screenings.

Notable Film Festivals and Programs

  • Examples of significant programs include Ibermedia at the San Sebastián Film Festival and Torino FML which support new projects. Other notable mentions are Canadian Short Skin Play and Cartoon Forum dedicated to animation.

Successful Case Studies from Pitching Events

  • Several successful projects emerged from pitching events:
  • Week of this: Won best project at Series Mania 2018 with a €50,000 prize before being produced in Sweden.
  • Hierro: Presented at Series Mania 2015; later showcased internationally in 2019 after production by Movistar Plus.
  • Freud: A co-production between Austria and Germany that was pitched at Series Mania and later featured on Netflix after its festival run.

Current Opportunities for New Projects

  • Upcoming opportunities include Iberseries 2026 with open calls for project submissions; other platforms like HBO seek diverse series formats including limited series and documentaries. Various producers are actively looking for innovative content across different genres.

Introduction to Pitching in the Audiovisual Industry

Overview of Opportunities

  • Discussion on various opportunities available in the audiovisual market, including Amazon Studios México and Trespass Studios, which focus on fiction and documentary series.
  • Emphasis on the importance of pitching projects that are currently in development as a way to advance them within the international audiovisual market.

Key Concepts of Pitching

  • Introduction by Dolores highlighting that "pitching" is synonymous with persuading, convincing, and motivating beyond just selling a project.
  • The notion that pitching should be viewed positively as a means to develop and bring projects to life.

Insights from Alberto Rul

Experience and Background

  • Introduction of Alberto Rul, EBP of production and content at Vértice 360, who has extensive experience in international project development, financing, and structuring.
  • Mention of his involvement in significant markets such as Series Mania and Merlinal Ecoproduction Market, showcasing his expertise in European co-productions.

Purpose of Pitching

  • Alberto emphasizes that pitching is not merely about selling but involves creating an invitation for dialogue regarding the project.
  • A pitch serves multiple purposes: selling a project or oneself, establishing new relationships, finding partners for ideas or productions.

The Art of Persuasion in Pitching

Engaging Conversations

  • The pitch is described as a two-way conversation rather than a one-sided presentation; it’s essential for gauging interest and moving closer to achieving goals.

Building Relationships

  • Importance of maintaining dialogues over time through pitches to foster professional relationships that can support future endeavors.

Learning from Others

  • Listening to others' pitches provides inspiration and insights into industry dynamics while also enhancing one's own creative process.

Theoretical Foundations: Aristotle's Rhetoric

Understanding Persuasion

  • Reference to Aristotelian rhetoric elements as foundational tools for understanding persuasion within pitches.

Persuasion and the Art of Pitching

Understanding Aristotle's Rhetoric in Pitching

  • The concept of persuasion involves influencing others' behavior, rooted in Aristotle's rhetorical categories: ethos, pathos, and logos.
  • Ethos refers to credibility; a speaker must establish authority for their message to be believed.
  • Pathos creates an emotional connection between the speaker and audience, fostering empathy and engagement during pitches.
  • Logos emphasizes reasoning and logic; it requires providing solid evidence to support claims made during a pitch.

Key Elements of a Successful Pitch

  • A complete pitch integrates ethos, pathos, and logos without strict hierarchy; their importance may vary based on context.
  • The content of the pitch should clearly outline what is being sold or proposed, including collaboration opportunities.
  • Pitches can serve different purposes: seeking development funds, financing production stages, or securing partnerships.

Components of Collaboration in Pitches

  • Collaboration involves understanding project positioning and relationship dynamics with potential partners or investors.
  • Factors like team composition and external elements play crucial roles in establishing collaborative relationships during pitching.

Commercial Viability in Pitching

  • Assessing commercial potential includes aligning projects with financial goals and audience expectations for success.
  • Confidence conveyed during a pitch is essential; even unconventional ideas need grounding to resonate with audiences.

Presentation Techniques for Effective Pitches

  • Clarity is vital; pitches should be concise (ideally 5–8 minutes), focusing on key messages rather than exhaustive details.
  • Generating a memorable connection with the audience ensures that your message resonates beyond the presentation itself.
  • Understanding your audience—who they are and what they seek—is critical for tailoring your pitch effectively.

Understanding the Essentials of Pitching

The Importance of Knowing Your Audience

  • Understanding who you are speaking to is crucial for effective communication. Engaging in informal conversations can help uncover interests and perspectives that inform your pitch.

Crafting Your Story

  • Reflect on why you are pitching and what makes your story worth telling. Honesty about your motivations is essential, as well as clarity on the relevance and urgency of your project today.

Unique Selling Proposition (USP)

  • Identify what makes you the right person to tell this story. This could stem from personal experiences or professional credentials, emphasizing a unique emotional connection to the narrative.

Distinguishing Need-to-Know vs. Nice-to-Know Information

  • Recognize the difference between critical information necessary for understanding (need-to-know) and supplementary details that may be interesting but not essential (nice-to-know). Tailor your pitch based on time constraints.

Feedback and Iteration

  • Engage others in sharing their perceptions after hearing your pitch. This exercise helps identify which elements resonate most with listeners, allowing for refinement of your presentation style.

Key Elements of a Pitch

  • Essential components include:
  • Personal introduction: Who you are and why you're passionate about the project.
  • Project overview: Genre, format, development status, themes, characters.
  • Call to action: What support or collaboration you seek from potential partners.

Deepening Your Narrative

  • When expanding beyond a brief logline:
  • Elaborate on character arcs and unique selling points (USPs).
  • Clarify personal connections to the story and its creative vision.

Listening for Insights

  • Pay attention to feedback during pitches; it reveals how different audiences interpret stories. This can lead to new insights that enhance storytelling depth.

Continuous Improvement

  • Each pitch should be viewed as an opportunity for growth. Focus less on memorization and more on understanding audience takeaways to improve future presentations effectively.

Pitching Techniques and Feedback

The Importance of Practice in Pitching

  • Practicing the pitch is essential for perfection, as it allows individuals to refine their delivery through conscious or unconscious feedback received from the audience.
  • Each pitch reveals personal weaknesses; awareness of audience reactions helps improve engagement and effectiveness by utilizing pauses and eye contact.
  • The pitch is an ongoing process that can always be improved, similar to crafting a perfect logline; one must know when to stop refining to move projects forward.

Utilizing Feedback for Improvement

  • Recording oneself can help identify areas for improvement, particularly in body language and vocalization, but working with another person often yields better results.
  • Preparing for one-on-one meetings requires understanding the audience's background and potential questions they may have about your project.

First Impressions and Personal Connection

  • Consider how you want to be perceived both personally and professionally; experience should not just come from inflated resumes but also from genuine knowledge and passion.
  • Creating anticipation around your project is crucial; present yourself as someone who knows what they want and can effectively communicate their vision.

Navigating Project Relevance

  • Emphasize personal connection to the project while remaining open to input; flexibility is key as ideas evolve during development.
  • Acknowledge that pitching is not just about presenting a project but also about establishing connections that could lead to future opportunities.

Concluding Thoughts on Pitching Strategy

  • Understand what you seek from each meeting; view pitches as gateways rather than endpoints—opportunities for further collaboration or exploration.
  • Prepare a strong opening statement for your pitch, allowing natural conversation flow without overselling the uniqueness of your project.

Pitching Strategies and Insights

Importance of Personal Connection in Pitching

  • Emphasizes the need for producers to be confident in what they are selling, focusing on personal connection and professional skills during pitches.
  • Highlights that pitching is a conversation, not a monologue; it’s crucial to listen actively and engage with the audience's reactions.
  • Advises to keep responses brief and concise while showing genuine interest in questions from the audience; encourages asking questions even if there is silence.

Building Relationships Through Collaboration

  • Stresses that collaboration is reciprocal; potential partners should know and appreciate you. Making a personal impact can lead to future opportunities.
  • Suggests being proactive without being overwhelming; patience is key as many pitches go unanswered, which often means "no."

Handling Rejections and Follow-ups

  • Discusses the importance of accepting rejection as part of the process; emphasizes transparency in follow-up communications.
  • Advises recognizing when an audience loses interest during a pitch, allowing for graceful exits rather than forcing engagement.

Key Takeaways for Effective Pitches

  • Concludes with advice to make pitches clear, short, personal, and memorable to leave a lasting impression on potential partners.

Understanding Market Dynamics in Pitching

Preparing for Different Markets

  • Addresses whether it's necessary to have knowledge about co-production percentages when presenting projects at pitch events.
  • Explains that market rules vary; some allow individual presentations while others require representation by production companies.

The Role of Production Companies

  • Notes that larger markets typically expect pitches to be accompanied by production companies but exceptions exist based on specific initiatives or smaller markets.

Financial Planning Considerations

  • Discusses the necessity of having a financing plan ready for pitches, emphasizing it reflects how one envisions making their project a reality.
  • Encourages understanding local funding sources such as public television contributions or tax incentives available for productions.

Financing Strategies for Film Projects

Understanding Funding Options

  • The speaker discusses various funding options available from international distributors, emphasizing the importance of calculating total amounts needed for financing.
  • Acknowledges that selling a project to platforms like Netflix or Amazon can be a viable financing plan, highlighting the simplicity of receiving full payment upfront.

Pitching Your First Project

  • When presenting a debut project, it's crucial to convey personal connection and passion. This emotional investment can enhance the pitch's effectiveness.
  • The speaker stresses the importance of demonstrating proactivity in securing meetings with industry professionals as it reflects commitment and professionalism.

Crafting Your Narrative

  • A deep understanding of your project is essential; knowing how to articulate its story shows professionalism even if you are new to the industry.
  • Distinguishing between an idea and a fully developed concept is vital. Presenters must ensure their pitches reflect thorough development rather than mere concepts.

Storytelling Techniques in Pitches

  • The speaker warns against presenting half-baked ideas during pitches, stressing that every aspect should be well thought out and structured.
  • Discusses whether to reveal plot twists during pitches; emphasizes that clarity about the ending is necessary for potential investors' understanding.

Engaging Your Audience Effectively

  • It's important not to leave critical information out of your pitch. Providing complete narratives helps engage potential backers effectively.
  • The final outcome should be shared clearly; withholding information can frustrate listeners and undermine interest in the project.

Avoiding Distractions During Pitches

  • Names can distract audiences during storytelling; focusing on character arcs rather than specific names may enhance retention and engagement.
  • Suggestion to minimize distractions by avoiding complex names when pitching across language barriers, ensuring clarity in communication.

Material Preparation for Pitches

  • In brief encounters such as elevator pitches, having concise materials ready (like notes on a phone or tablet) can help maintain focus without overwhelming details.

Presentation Challenges and Strategies

The Importance of Context in Presentations

  • Emphasizes the need for a distraction-free environment during presentations, highlighting that external elements can hinder focus.
  • Suggests that materials should be presented in suitable conditions to maximize impact, particularly when facing potential rejection.

Handling Rejections and Learning from Feedback

  • Discusses the importance of recognizing when a project is not resonating with the audience and knowing when to pause or revisit it later.
  • Advocates for self-honesty in evaluating projects, suggesting that understanding market dynamics and personal capabilities is crucial for success.

The Role of Persistence in Creative Industries

  • Acknowledges the difficulty of getting personal projects recognized, especially within the film industry, where initial opportunities often involve working on others' projects.
  • Highlights how pitching experiences contribute to professional growth, even amidst repeated rejections.

Emotional Management in Professional Settings

  • Shares personal strategies for coping with rejection, including venting frustrations through writing before responding professionally.
  • Reflects on the emotional toll of rejection over decades in the industry but emphasizes learning to manage these feelings constructively.

The Art of Pitching: Insights from Experience

Overcoming Fear and Building Confidence

  • Stresses that successful pitching requires practice and overcoming fear; it's about persuading others while also advocating for oneself.
  • References Aristotle's historical context to illustrate that self-promotion has been an essential skill throughout history.

Introduction of New Panelist: Adriana Castillo

  • Introduces Adriana Castillo as an experienced audiovisual project manager who contributes significantly to industry initiatives.

Contributions to Industry Development

  • Acknowledges her role in developing national and international cinematic projects while fostering connections within markets and festivals.
  • Expresses gratitude towards Buenos Aires Film Commission for creating valuable training spaces aimed at enhancing industry knowledge.

Importance of Preparation and Research

  • Reinforces the necessity of thorough preparation before engaging with markets or pitching ideas, echoing sentiments shared by previous speakers regarding clarity and confidence.

Understanding Project Development in the Market

Importance of Research and Adaptation

  • Emphasizes the need to listen, research, and understand one's own project to give it a solid foundation for success.
  • Highlights how market dynamics influence executive behavior and consumer trends, which can shift annually based on various factors like climate.

Handling Rejection and Feedback

  • Advises against taking rejection personally; instead, focus on analyzing potential strengths in your project after receiving feedback.
  • Shares insights from industry experiences that underline the importance of resilience when presenting projects.

Overview of Iversaries Platino Industria

  • Introduces Iversaries Platino Industria as a marketplace established post-pandemic to facilitate business development for audiovisual projects.
  • Aims to connect producers with key players in the industry, providing opportunities for networking and collaboration.

Industry Trends and Educational Opportunities

  • Discusses the significance of understanding trends and data within the industry while offering workshops for producers to enhance their skills.
  • Describes efforts to link Latin American content creators with markets in the U.S. and Europe seeking Hispanic content.

Event Details and Experiences

  • Mentions an upcoming video showcasing what happens during four days at Matadero, Madrid—a cultural center hosting industry events.
  • Provides context about Matadero's historical significance as a former market turned into a cultural hub for film screenings.

Conference Structure and Learning Sessions

  • Outlines event dates (September 29 - October 2), emphasizing open accreditation for participation in Iversaries Platino Industria.
  • Explains that educational components include conferences featuring industry experts discussing current trends.

Technical Challenges During Presentation

  • Notes technical difficulties encountered while sharing presentation materials but emphasizes ongoing engagement with participants.

Participation and Project Submission Process

Overview of the Event

  • The speaker reassures attendees about the event's structure, mentioning that a participation link will be shared for signing up to receive a diploma after three sessions.
  • Technical difficulties are acknowledged as the speaker attempts to share documents related to project submissions.

Project Submission Guidelines

  • The process involves platforms sharing their content needs, including genres and target audiences, leading to tailored calls for projects from Iverses and Platino Industria.
  • Participants must register their projects with copyright institutions before submission; this is crucial for protecting ideas and ensuring proper documentation.

Requirements for Submissions

  • A certification of registration with Indautor is mandatory when submitting projects; all contracts must be properly documented.
  • Required materials include loglines, short and long synopses, technical sheets, team details, and potentially complete scripts depending on the platform's requirements.

Selection Process

  • After submission, a selection committee reviews all entries based on established criteria; they assess narrative potential and structural integrity.
  • Selected projects are forwarded to production companies or platforms that express interest in those specific stories.

Final Steps in Project Presentation

  • Producers of selected projects must confirm attendance at live presentations organized by Iverses and Platino Industria.
  • The entire selection process can take over eight months; producers should invest significant time developing their project proposals before submission.

Informative Session on Upcoming Calls

Overview of the Informational Session

  • The session is scheduled for April 15, where all current calls will be presented. There are currently 11 open calls with nine companies.
  • Materials related to the session will be shared by Dolores in the chat and made available on the website. Participants are encouraged to attend a webinar for detailed explanations and Q&A.

Details of Current Calls

  • The calls include opportunities from various companies such as Amazon Studios, BH5 Studios (focused on scripts), and Dopamine, covering both fiction and non-fiction projects.
  • A new call from Río Ancho aims to accept vertical content projects, including microseries, expanding the types of content being sought.

Submission Requirements

  • Minimum requirements include a registered argument idea and a complete script. Projects must indicate their development stage—whether early or advanced—and if they require financing.
  • Various formats are accepted: feature films (fiction, animation), documentaries, miniseries, series, reality shows, and new vertical microseries formats.

Important Dates and Selection Process

  • The deadline for submissions is April 23 at 2 PM Spain time. Participants should be mindful of time zone differences across Latin America.
  • Each project must have a legal representative who can make decisions regarding its presentation. Communication via email is crucial; selected projects must confirm participation within 48 hours.

Project Submission Guidelines

  • Producers can submit up to three different projects per call but only two calls per project unless specified otherwise by certain companies like Río Ancho and Sony Pictures.
  • It’s essential that the person registering the project regularly checks their email for updates about selection status; failure to respond may result in disqualification.

Steps for Participation

  • To participate, individuals must register on the website and pay an accreditation fee to access this call as well as future opportunities like co-production forums and training workshops.

Event Participation Guidelines

Importance of Registration and Compliance

  • Participants must register for all calls and have access to the market for four days, along with being listed in the Eventival directory to network effectively.
  • It is crucial to review regulations and guidelines thoroughly, ensuring that projects meet all requirements before submission, as over 1000 projects are often received.

Project Presentation Standards

  • Well-presented projects with clear information and no spelling errors significantly enhance selection chances; clarity in presentation is emphasized.
  • Only accredited individuals can present their projects at the event; accreditation is non-transferable, meaning only one person from a company can present.

Session Structure and Preparation

  • Each presentation session lasts 15 minutes, followed by a 5-minute Q&A. These sessions are private and cannot be recorded or attended by outsiders.
  • Presenters should rehearse extensively to engage executives effectively, focusing on inspiring storytelling rather than just summarizing project details.

Understanding Market Needs

  • Producers must align their project pitches with current market trends and platform content preferences; understanding what executives seek is vital for successful presentations.
  • Executives often express frustration when presented with irrelevant content; producers should research existing platform offerings to tailor their proposals accordingly.

Accreditation Costs and Discounts

Pricing Structure

  • The cost for in-person accreditation is €216, while virtual attendance costs €144. Virtual attendees still gain access to directories and online networking opportunities.

Discount Opportunities

  • Early registration discounts include 20% off until June 11th. Members of specific organizations may receive up to 50% off based on affiliation.

Researching Target Platforms

Importance of Audience Alignment

  • Conducting thorough research on target platforms helps ensure that submitted projects match the type of content they produce; this alignment increases the likelihood of acceptance.

Pitching Strategies and Considerations

Understanding Decision Makers and Requirements

  • The importance of knowing the decision-makers when pitching projects is emphasized, along with the need to understand specific requirements for each call or project.
  • Questions arise about whether to pitch only the first season of a series or include potential for future seasons, highlighting strategic considerations in storytelling.

Narrative Structure and Series Development

  • Discusses whether presenting a series as having multiple seasons adds value; it suggests that continuity in characters and narrative engines is crucial for engaging audiences.
  • The necessity of demonstrating how narrative elements can evolve over time is stressed, particularly when transitioning from a miniseries format to a full series.

Justifying Serialization

  • When presenting a miniseries, it's essential to justify why the story needs to be told in this format rather than as a film. This involves discussing character development and narrative progression.
  • Identifying serial elements that validate transforming a standalone story into a serialized format is critical for successful pitches.

Legal Considerations in Content Creation

  • Emphasizes the importance of understanding copyright laws and registering works through appropriate channels like Safe Creative or local copyright institutions.
  • Highlights that clarity from platforms regarding their requirements makes it easier for producers to align their projects with expectations.

Regional Focus and International Appeal

  • Addresses questions about Ibero-American connections in narratives, indicating that while regional content is prioritized, international appeal remains significant.
  • Notes that platforms are looking for content primarily developed in Latin America but are also open to co-productions with Spain or Portugal due to language similarities.

Financial Planning Insights

  • Discusses the level of detail required in financial plans when pitching projects, likening it to writing an idealized wish list (a "letter to Santa") based on realistic pricing structures.

Financing Production Projects

Understanding the Financing Structure

  • The speaker discusses the importance of a solid financing structure for production projects, emphasizing a co-production model that includes various elements such as public television, platforms, tax incentives, and international distribution.
  • It is crucial to assign reasonable financial figures to each market involved in the project. The speaker acknowledges their limited knowledge of specific figures in different regions but encourages research and networking to gather necessary information.
  • A budget estimation is essential; knowing the type of series and talent available helps gauge if a project aligns with market standards. If a project's budget significantly exceeds typical costs (e.g., $10 million vs. $4-5 million), it indicates potential funding issues.
  • The fear surrounding financing plans is often unfounded; understanding how much money can be raised from each source is key to successful project development.

Project Submission Insights

  • Adriana emphasizes the importance of understanding one's own project deeply before seeking feedback or guidance on its viability or appeal.
  • Clear guidelines are provided in calls for submissions, indicating what elements are needed for successful applications. Applicants should identify which aspects of their projects align best with these guidelines.
  • The discussion highlights the necessity of selecting strong genres and production types that resonate with potential buyers or selectors to enhance chances of success.

Presentation Quality Matters

  • Effective presentation materials are critical; well-prepared pitch decks and structured dossiers significantly improve an applicant's chances compared to poorly organized submissions.
  • There’s an emphasis on thoroughness when filling out application forms—submissions should be clear and professional to make a good impression on evaluators.

Importance of Preparation

  • Preparing documentation early is advised; applicants should not wait until the last minute to submit materials due to potential technical issues with platforms during peak submission times.
  • A well-organized approach involves creating folders for all required documents ahead of time, ensuring everything is ready for submission without last-minute stress.

Final Reminders

  • Many applicants may have multiple strong projects; however, only those that are well-developed will stand out during selection processes.
  • Time invested in refining stories leads to better presentations where creators can confidently answer questions about their projects without hesitation.
  • Important deadlines were reiterated: applications close on April 23rd, urging participants not to leave submissions until the final day due to possible platform overload issues as deadlines approach.

Presentation Tips for Effective Pitching

Importance of Not Reading During Presentations

  • The early bird discount is not cumulative with other discounts offered to Jeda partners; you must choose one.
  • Avoid reading during live presentations, as it detracts from engagement. Practice thoroughly instead.
  • Do not hold notes or read from your phone; share your story naturally and confidently.

Engaging Your Audience

  • If you lose your place, acknowledge it and return to the narrative without hesitation. Authenticity is key.
  • Refrain from repeating information already displayed on slides; use them to enhance your commentary instead.

Visual Aids and Atmosphere

  • Limit background material in presentations; select a few impactful slides that set the tone for your story.
  • Use evocative images or posters rather than generic visuals to create atmosphere and connection.

Language and Tone in Presentations

  • Avoid using profanity or inappropriate language during pitches, as it may alienate some audience members.
  • Maintain professionalism while being engaging; humor can be effective but should remain appropriate.

Building Confidence and Connection

  • Approach the pitch with confidence as if you have extensive experience presenting stories.
  • Eye contact and body language are crucial for conveying emotion and energy during your presentation.

The Value of Networking Beyond the Pitch

  • Even if a specific project isn't accepted, building relationships with executives can lead to future opportunities based on personal connections.
  • Executives remember those they meet personally, which can open doors for future collaborations even if the initial pitch fails.

This structured approach emphasizes key insights into effective pitching strategies while providing timestamps for easy reference back to specific parts of the discussion.

Webinar Announcement and Project Pitching

Overview of the Webinar

  • The webinar is free of charge, with participants able to register through a provided form. The event is scheduled for April 15, with registration closing on April 28.
  • Emphasis on the significance of this event as one of the most important for the Ibero-American industry, highlighting its potential impact and reach.

Support and Resources

  • Participants will receive materials shared by Adriana, ensuring they have access to necessary resources for their projects.
  • Acknowledgment of key contributors (Adriana, Gloria, Alberto) for their time and insights during the session focused on project presentation pitches.

Future Sessions

  • Continuation of discussions in subsequent sessions focusing on location scouting, FIM Commission roles, team assembly, and planning strategies.
Video description

Primer encuentro del Programa de Especialización Profesional “Formación en el sector audiovisual: pitching, branded content y localización”, organizado por la Buenos Aires Film Commission en colaboración con GECA. En esta primera jornada se abordaron las claves del pitching de proyectos audiovisuales, con foco en estrategias para presentar ideas de manera clara, efectiva y atractiva. Oradores: Gloria Saló - GECA Directora de Consultoría de Producción y Contenidos de GECA. Doctora “cum laude” en Comunicación Audiovisual por la Universidad Complutense, docente universitaria en la UC3M y en la UFV y profesora en másteres profesionales y docente experta en el Proyecto Haz de RTVE. Ha escrito ¿Qué es eso del formato? y participado en más de diez libros sobre el sector audiovisual. Ha trabajado en cadenas de televisión productoras audiovisuales, donde ha sido Directora de Mercados Internacionales y Comunicación, Jefa de Programas, Jefa de Nuevos Proyectos, Directora de Contenidos y Coordinadora de Ficción. Alberto Rull - Vértice 360 EVP de Producción y Contenidos en Vértice 360, compañía del grupo Squirrel Media. Cuenta con una sólida trayectoria en el desarrollo, estructuración y financiación de proyectos audiovisuales con vocación internacional, abarcando tanto ficción como no ficción, con especial foco en coproducciones europeas y alianzas estratégicas. Ha liderado y acompañado proyectos seleccionados en destacados mercados y foros profesionales como Series Mania Forum, Berlinale Co-Production Market, MIA Market, Conecta FICTION & ENTERTAINMENT y NEM Zagreb, consolidando su posicionamiento dentro del circuito internacional de la industria. Su perfil combina visión creativa y capacidad ejecutiva, con un enfoque orientado al desarrollo de contenidos, la configuración de estructuras de financiación y la conexión con socios estratégicos, plataformas y broadcasters. Adriana Castillo - Platino Industria - EGEDA México Gestora de proyectos, productora y asesora en comunicación con más de 20 años de experiencia en el sector audiovisual. Actualmente es Coordinadora General de Platino Industria, Programación y Pitch en Iberseries Platino Industria y Gerente de Relaciones Institucionales en EGEDA México. Ha trabajado en el desarrollo de proyectos cinematográficos y documentales a nivel nacional e internacional, así como en la articulación con mercados, festivales y espacios de industria. Su perfil combina gestión, programación y vinculación estratégica dentro del ecosistema audiovisual iberoamericano.