UdeA - En Tablas: Ana María Orduz (04)

UdeA - En Tablas: Ana María Orduz (04)

Introduction to Maestra María

Initial Impressions and Context

  • Maestra María expresses her happiness about being on stage, highlighting the significance of the event.
  • The conversation begins with a discussion about chess pieces and colors, drawing a parallel between her outfit (black and white) and piano keys.

Understanding Doctorate in Piano Performance

Academic Background

  • Maestra María clarifies that her doctorate focuses on artistic development rather than traditional research, emphasizing performance skills.
  • She notes the limited number of doctoral programs in Colombia for piano interpretation, mentioning colleagues who have also pursued this path.

The Need for Advanced Training in Music

Challenges in Musical Education

  • There is a recognition that two years of master's training may not be sufficient for developing a pianist's career.
  • The lack of dedicated programs for interpreter development in Colombia is discussed, pointing out traditional methods that rely heavily on emulation.

Teaching as a Dual Benefit

Interplay Between Teaching and Performing

  • Maestra María shares her belief that teaching enhances her skills as a pianist while performing improves her teaching abilities.

Establishing Pianissimo Foundation

Cultural Management Initiatives

  • She discusses the founding of Pianissimo, aimed at supporting young musicians through educational opportunities.
  • Her experiences studying abroad highlighted the importance of both formative processes and available opportunities for musicians' careers.

Pedagogical Development Through Collaboration

Building Educational Spaces

Art and Responsibility in Contemporary Music

The Role of Contemporary Artists

  • Contemporary artists are tasked with creating their own spaces and paths, moving beyond traditional stages.
  • The modern musician must embody multiple roles: manager, performer, and teacher, reflecting the demanding nature of contemporary music.

Musical Education Journey

  • Early musical education often begins with collective instruments like the violin, which fosters a sense of community compared to solo instruments like the piano.
  • A pivotal moment in choosing the piano was receiving one as a surprise gift from parents, significantly enhancing personal connection to the instrument.

Challenges of Piano Performance

  • The solitary nature of piano practice contrasts with collaborative music-making; this realization drives interest in chamber music projects.
  • The loneliness associated with being a pianist is acknowledged as a motivating factor for engaging in collaborative musical endeavors.

Building Cultural Spaces Through Music

Personal Experiences with Pianos

  • Discusses the arrival of a grand piano after studying abroad and its impact on personal life and artistic expression.
  • Involvement in bringing pianos to cultural institutions highlights efforts to enhance local music offerings.

Community Impact through Music Initiatives

  • Contributions to cultural spaces have expanded access to diverse musical experiences within Medellín's artistic landscape.

Pianissimo: A Cultural Phenomenon

Formation and Mission

  • Pianissimo began as an ambitious project aimed at developing audiences and young pianists while promoting new music.

Concert Series Overview

  • The initiative includes multiple concert series throughout Medellín, aiming to reach various communities and foster appreciation for classical music.
  • Emphasizes outreach efforts by taking performances into regions where classical music is less accessible or appreciated.

Discussion on Music and Pedagogy

The Role of Communication in Music

  • The speaker emphasizes the importance of engaging with audiences who may not have prior exposure to classical music, highlighting the need for pedagogical approaches during performances.
  • A close relationship between music and literature is discussed, suggesting that understanding musical phrases can enhance audience appreciation, similar to how one might appreciate poetry when provided context.

Enhancing Audience Experience

  • The speaker believes that providing background information about a piece or composer enriches the listening experience, making it more profound than simply presenting the performance.
  • An anecdote is shared about a competition (Pianissimo 2014), illustrating the collaborative spirit among musicians and educators involved in fostering young talent.

Community and Collaboration in Music Education

  • The significance of teamwork in music education is highlighted, advocating for inclusivity rather than exclusivity within educational settings.
  • Notable figures from various institutions are mentioned as part of a supportive network aimed at nurturing young pianists through collaborative efforts.

Social Responsibility of Art

  • The discussion touches on art's responsibility towards society, referencing successful projects like Venezuela's El Sistema and its impact on community engagement through music.
  • Personal stories illustrate how music transforms lives, emphasizing emotional connections formed through musical experiences for both children and their families.

Impact of Musical Experiences

  • Testimonials from participants highlight transformative experiences resulting from musical involvement, showcasing how these interactions foster personal growth and community ties.
  • The speaker expresses gratitude for ongoing engagement with audiences who discover new composers through events like Martes Pianissimo, reinforcing the idea that music serves as a bridge between individuals.

Conclusion and Future Engagement

  • A closing remark invites further discussions on these themes while acknowledging the contributions made by all participants in this dialogue.