Cinematic Film Composition — Roger Deakins on Blocking, Staging & Composition in Cinematography

Cinematic Film Composition — Roger Deakins on Blocking, Staging & Composition in Cinematography

Composition and Shot Construction

In this section, the speaker talks about the importance of composition and shot construction in filmmaking. He explains how he plays with images to create an effect within a story.

Importance of Camera Movement

  • The camera movement should feel like a solid, relentless move for the characters.
  • The camera should encompass everything that the audience needs to see.
  • Cutting to a reaction can disrupt the flow of the scene.

Restaging Scenes

  • If someone is speaking and you want to see them, you have to restage it.
  • Sometimes scenes need to be restaged in a different way to get the desired effect.

Scene Design

  • Simple formal scenes can be effective without complex set design.
  • Choosing whether to play a scene wide or observational depends on each scene's feel.

Composition Techniques

  • Choosing locations with vertical trees allows for sidetracking shots.
  • Finding the right composition involves tweaking with lens choice, camera movement, and positioning.
  • Lens choice defines how close or far away viewers are from subjects and affects their awareness of surroundings.

Shooting Techniques

In this section, the speakers discuss different shooting techniques and how they can be used to achieve a specific look or feel for a film.

Choosing the Right Technique

  • The first decision is to determine the overall feel of the film.
  • For some films, like "Jarhead," handheld cameras are used to create a more realistic look.
  • Composition is also an important factor in determining the look of a film.
  • For "Kundun," symmetry was used to reflect the spirituality of Buddhism.

Importance of Lighting and Camera Movement

  • Still photography is often referenced when thinking about composition and content.
  • Lighting and camera movement cannot be divorced from composition.
  • The image in your head is more important than technique.

Considerations When Shooting

  • What's the script? What's the story? What's the scene?
  • What do you want the audience to feel?

Overall, choosing the right shooting technique involves considering factors such as composition, lighting, camera movement, and what you want your audience to feel.

Video description

Roger Deakins on Film Composition and the elements involved: blocking/staging, lighting, lenses, framing and more. Roger Deakins Movies Ranked ►► https://bit.ly/rd-co Create your FREE Shot List ►► https://bit.ly/sb-shl ───────────────────── Special thanks to: The Team Deakins podcast ►► http://bit.ly/td-pc ───────────────────── Chapters: 00:00 - Intro 00:25 - Technique 1 - Blocking and Staging 02:47 - Technique 2 - Framing 05:45 - Technique 3 - Study Photos 06:38 - The Final Thoughts of Deakins ───────────────────── Film composition, or composition in film, is a rather complicated concept when you realize just how much is involved. As Roger Deakins explains in this episode of Cinematography Techniques, blocking & staging, lighting, lenses, framing and more are all part and parcel of cinematic composition. First, Deakins explains the unique challenge he and director Sam Mendes set before themselves in 1917. The decision to make the film appear as a single shot means that rules around composition, blocking & staging, and standard coverage required creative problem-solving. For example, in an early bunker scene, the entire blocking and staging of the actors and camera had to be reworked to ensure that the camera was always focused on the most important subject(s) at any given time. And, so, a second table was brought in and the choreography was adjusted to maintain their “single-shot goal” while keeping the framing and composition active and meaningful. In a film like Kundun, Deakins explains how director Martin Scorsese wanted symmetrical, proscenium framing to support the film’s themes around Buddhism and the power held by the boy leader. Whereas this formal elegance would be antithetical to the grounded and chaotic world of war in Jarhead. Here, handheld cameras help create a purposefully inconsistent cinematic composition. Film composition follows similar standards as photography composition and this is where Roger Deakins first learned about them. By studying the location, the lighting, deciding on a lens, where you place the camera, all of these decisions combine when deciding on composition. #FilmTheory #VideoEssay #Filmmaking ───────────────────── VIDEO EDITOR: BRANDON SCULLION ───────────────────── ♬ SONGS USED: “Faded” - Red Licorice “Engländer” - Thomas Newman, 1917 Score “Milk” - Thomas Newman, 1917 Score “Gehenna” - Thomas Newman, 1917 Score “Blood Trails” - Carter Burwell, No Country For Old Men Score “His Judgment Cometh” - Thomas Newman, The Shawshank Redemption Score “Swingset” - Red Licorice “Listen Up” - Thomas Newman, Jarhead Score “Rock Hammer” - Thomas Newman, The Shawshank Redemption Score “And That Right Soon” - Thomas Newman, The Shawshank Redemption Score Music by Artlist ► http://bit.ly/2Ttdh8d Music by Soundstripe ► http://bit.ly/2IXwomF Music by Music Vine ► http://bit.ly/2IUE0pT Music by MusicBed ► http://bit.ly/2Fnz9Zq ───────────────────── SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0 Looking for a project management platform for your filmmaking? StudioBinder is an intuitive project management solution for video creatives; create shooting schedules, breakdowns, production calendars, shot lists, storyboards, call sheets and more. Try StudioBinder for FREE today: https://studiobinder.com/pricing — Join us on Social Media! — Instagram ►► https://www.instagram.com/studiobinder Facebook ►► https://www.facebook.com/studiobinderapp Twitter ►► https://www.twitter.com/studiobinder

Cinematic Film Composition — Roger Deakins on Blocking, Staging & Composition in Cinematography | YouTube Video Summary | Video Highlight